1 00:00:11,680 --> 00:00:18,040 Welcome to Big Tent. Live events. The Lockdown Live Online event series brought to you by Torch, 2 00:00:18,040 --> 00:00:25,540 the Oxford Research Centre with Humanities as part of the humanities cultural programme itself, one of the founding stones for the future. 3 00:00:25,540 --> 00:00:29,170 Stephen A. Schwartzmann Centre for the Humanities. 4 00:00:29,170 --> 00:00:35,290 My name is Wes Williams and I'm a professor of French literature at the University of Oxford, a fellow and Edmund Hall. 5 00:00:35,290 --> 00:00:39,130 And I'm also the knowledge exchange champion at Torch. 6 00:00:39,130 --> 00:00:44,770 The Big Tent Live Event series is our way of bringing together once a week researchers and students, 7 00:00:44,770 --> 00:00:49,990 performers and practitioners from across the different humanities disciplines. 8 00:00:49,990 --> 00:00:54,130 We're bringing you this event programme online while we're all keeping our distance, 9 00:00:54,130 --> 00:00:58,190 and we hope that you're all safe and well during this difficult time. 10 00:00:58,190 --> 00:01:06,110 Our aim here is to explore together important subjects and ask challenging questions about areas such as the environment, 11 00:01:06,110 --> 00:01:11,600 medical, humanities, ethics and A.I. The public, the private and the common good. 12 00:01:11,600 --> 00:01:15,770 And we will celebrate storytelling and music. Performance and poetry. 13 00:01:15,770 --> 00:01:23,390 Identity, history and community. If you'd like to put any questions forward to US speakers tonight. 14 00:01:23,390 --> 00:01:27,260 During the event, please put them in the comments box on YouTube. 15 00:01:27,260 --> 00:01:34,130 We encourage you to submit these as early as possible, and I can then ensure that they inform and enrich the Q&A part of our discussion. 16 00:01:34,130 --> 00:01:39,440 In about half an hour or so. Now onto our excellent speakers. 17 00:01:39,440 --> 00:01:44,270 I'm delighted to welcome into the big tent today, Marion Turner, 18 00:01:44,270 --> 00:01:49,970 tutorial fellow of Jesus College, an associate professor of English at the University of Oxford, 19 00:01:49,970 --> 00:01:58,800 and celebrated author Matthew Neil and embarrass them a little by saying a little bit more about them before we start the conversation. 20 00:01:58,800 --> 00:02:06,570 Professor Marion Turner works on late mediaeval literature and culture, focussing especially on Geoffrey Chaucer. 21 00:02:06,570 --> 00:02:15,270 Her most recent book, Chaucer A European Life, argues for the importance of placing Chaucer in multilingual and international contexts. 22 00:02:15,270 --> 00:02:21,560 She traces his journeys across Europe and his immersion in global trade routes and exchanges. 23 00:02:21,560 --> 00:02:33,990 It was named as Book of the Year 2019 by the Times, The Sunday Times and The Tearless, and it was shortlisted for the Woolston History Prise in 2020. 24 00:02:33,990 --> 00:02:41,580 Matthew Neil was born in London. The son of two writers and the grandson of two others from his earliest years. 25 00:02:41,580 --> 00:02:48,230 Matthew was fascinated by different cultural worlds, both contemporary and from the past. 26 00:02:48,230 --> 00:02:55,730 After studying at Latimer Upper School in London, he read Modern History at Modelling College Oxford and after his university years, 27 00:02:55,730 --> 00:03:03,010 he began travelling, seeing diverse cultures at first hand in Asia, Europe and Latin America. 28 00:03:03,010 --> 00:03:07,840 Matthew's books include Inside Rose's Kingdom. English Passengers. 29 00:03:07,840 --> 00:03:12,450 When We Were Romans an Atheist. History of Belief and Rome. 30 00:03:12,450 --> 00:03:21,670 A history in seven seconds. His latest novel, Pilgrims', explores mediƦval life shaped by religious laws as well as personal battles. 31 00:03:21,670 --> 00:03:28,540 It follows a fascinating show, Syrian cast of Characters on a journey from England to Rome. 32 00:03:28,540 --> 00:03:37,270 Tonight, Marion and Matthew discuss their recent books. Matthew's novel, Pilgrim, Marion's biography, Jozo A European Life. 33 00:03:37,270 --> 00:03:42,100 They explore the questions raised by each of them differently accented discussions of 34 00:03:42,100 --> 00:03:48,250 mediaeval travel ranging from colonialism in Wales to the expulsion of the Jews from England, 35 00:03:48,250 --> 00:03:54,580 from diplomacy and cultural exchange to holy pilgrimage, both real and imagined. 36 00:03:54,580 --> 00:04:02,160 What are the questions underpinning their work and indeed this conversation today is that of similarity and difference between times, 37 00:04:02,160 --> 00:04:09,910 languages, genres, national, confessional and political identities between then and now. 38 00:04:09,910 --> 00:04:14,340 Having read most of these two books, I'm sure we're in for a real treat. 39 00:04:14,340 --> 00:04:19,300 And so without further ado, I hand over to you, Marian, to get the conversation started. 40 00:04:19,300 --> 00:04:24,690 Thank you. Thank you. It's such a pleasure to be here and to be talking to Matthew. 41 00:04:24,690 --> 00:04:32,010 And I really look forward to the whole discussion and the questions later. But I thought I'd start by asking you, Matthew, 42 00:04:32,010 --> 00:04:38,040 why the mediƦval I know you've written such a variety of different books, but I think this is your first foray. 43 00:04:38,040 --> 00:04:40,560 You're really deeply into the mediaeval period. 44 00:04:40,560 --> 00:04:48,540 And I wondered what it was that first drew you into the 13th century and made you want to tell a mediaeval story. 45 00:04:48,540 --> 00:05:01,260 It was really. I'd been researching the history of Rome for my last book, the non-fiction book, Roman History and Sudden Sackings. 46 00:05:01,260 --> 00:05:11,790 And one of the many books that I looked at was about mediaeval pilgrims, mediaeval pilgrimage to Rome. 47 00:05:11,790 --> 00:05:16,470 And I think it was looking at the 13th century in particular. 48 00:05:16,470 --> 00:05:29,730 And I'm always interested in journeys, but also in a journey that's made not just for an ordinary reason, but really for in pursuit of an idea. 49 00:05:29,730 --> 00:05:35,910 And it occurred to me that pilgrimage was a very interesting subject. 50 00:05:35,910 --> 00:05:44,640 And I was rather horrified by the thought of having to write something about the mediaeval period by which I knew very little. 51 00:05:44,640 --> 00:05:53,250 Aside from what I'd just been reading to do with Rome. But I decided that it would be I'd give it a go. 52 00:05:53,250 --> 00:05:57,100 And I went to I had to spend months. 53 00:05:57,100 --> 00:06:05,610 So I went to the British Library in London and read everything I possibly could about mediaeval England. 54 00:06:05,610 --> 00:06:10,290 And in the 13th century, I actually began, of course, with Chaucer. 55 00:06:10,290 --> 00:06:12,210 First I read Chaucer. 56 00:06:12,210 --> 00:06:23,550 And when I read the Prioress tale that that gave me my date because I knew that I wanted to write it just before the expulsion of the Jews. 57 00:06:23,550 --> 00:06:32,640 And I must say, the whole process of learning about the mediaeval period was fantastically rich for me. 58 00:06:32,640 --> 00:06:39,900 I can see why it's such a popular era, because it's there's something extraordinary about it. 59 00:06:39,900 --> 00:06:47,430 Does it sort of earthiness at the same time this? I began to realise that actually it's a very modern era. 60 00:06:47,430 --> 00:06:52,990 It's people. And the evidence that they had seems very different. 61 00:06:52,990 --> 00:06:57,900 But the they were they were trying to understand the world on less information. 62 00:06:57,900 --> 00:07:04,290 But actually, the deductions they make are as intelligence anybody's. It's just they have less basis. 63 00:07:04,290 --> 00:07:11,070 Yes. And I think that often people find that the mediaeval era is not what they thought it was. 64 00:07:11,070 --> 00:07:18,480 So once you find out more, you realise that I mean, anything in particular that people, rich people, 65 00:07:18,480 --> 00:07:23,040 more educated people lived in a much more international way than people tend to imagine. 66 00:07:23,040 --> 00:07:32,070 So I found that people were very surprised to have, for example, that Chaucer travelled very widely, but he went twice to Italy. 67 00:07:32,070 --> 00:07:38,280 He went to Spain, went very often to France, but also that within England itself, 68 00:07:38,280 --> 00:07:42,630 you could, for instance, buy spices that had come all the way from Indonesia, 69 00:07:42,630 --> 00:07:49,950 that England was on this global trade route at this time on the peripheries of these routes that were going right across the known world. 70 00:07:49,950 --> 00:07:59,910 And I think that that sense of that actually people could live very cosmopolitan lives is is often very surprising for people. 71 00:07:59,910 --> 00:08:04,830 Yes. And in some ways, the island of Britain was more international, 72 00:08:04,830 --> 00:08:13,080 more more cosmopolitan than it became later because it was for many, many were bilingual. 73 00:08:13,080 --> 00:08:17,580 Many were trilingual with Latin, French, English. 74 00:08:17,580 --> 00:08:26,360 You had a whole other diverse languages being spoken by large numbers of people, Celtic languages. 75 00:08:26,360 --> 00:08:31,170 It's it's a complicated, fascinating time. Yeah, indeed. 76 00:08:31,170 --> 00:08:38,580 And Chaucer, like all other educated man at the time, spoke English, French and Latin, but also, crucially, Italian. 77 00:08:38,580 --> 00:08:42,180 So it is, of course. It's so important to your book. 78 00:08:42,180 --> 00:08:49,650 But the fact that he spoke Italian really enabled him to make enormous changes in English poetry. 79 00:08:49,650 --> 00:08:58,770 And because he spoke Italian, he was chosen to go on these diplomatic missions to Italy and was able then to read Dante Petrarch, 80 00:08:58,770 --> 00:09:06,870 the cacio and reading those poets really changed what he could do in poetry and allowed him to develop new poetic forms. 81 00:09:06,870 --> 00:09:10,920 And that really changed what English poetry as a whole could do. 82 00:09:10,920 --> 00:09:16,020 So I think that multilingual, that multilingual environment is absolutely so important. 83 00:09:16,020 --> 00:09:20,030 And as you say, I mean, that's something that actually we've we've lost so much and that. 84 00:09:20,030 --> 00:09:28,050 Now, a lot of English people are renowned for that monolingual educations at Los Vesser. 85 00:09:28,050 --> 00:09:35,760 We end up being very complacent about being able to speak English. But in the 14th century, in my era, people didn't think like that at all. 86 00:09:35,760 --> 00:09:40,860 They knew they had to speak other languages if anyone else is going to understand them. 87 00:09:40,860 --> 00:09:45,330 But I wanted to go back to your your mentioning very early on in your research, 88 00:09:45,330 --> 00:09:50,640 you were rereading Chaucer and reading the piracies tale because, of course, 89 00:09:50,640 --> 00:09:54,120 one of the things that separates the era of pilgrims, 90 00:09:54,120 --> 00:10:04,730 your book from Chaucer's era is the expulsion of the Jews in 12 90 as a really seismic and appalling event. 91 00:10:04,730 --> 00:10:10,380 That that was a marker in in English history. 92 00:10:10,380 --> 00:10:14,190 So when I was when I was writing the biography of Chaucer. 93 00:10:14,190 --> 00:10:23,190 One thing that I was very interested in was his trip to Novar in northern Spain now, but then an independent country, because in Navarre, 94 00:10:23,190 --> 00:10:31,020 he went somewhere where he experienced a kind of multicultural society where there were significant Jewish and Muslim populations, 95 00:10:31,020 --> 00:10:39,240 as well as a Christian population. And they were all, you know, rubbing along together reasonably successfully at that point. 96 00:10:39,240 --> 00:10:46,470 But in England itself, the traces of the Jewish population were still there, of course, in all Jewry and so on. 97 00:10:46,470 --> 00:10:52,410 But the Jews denounced any kind of anti-Semitic story that such as the IRS tale. 98 00:10:52,410 --> 00:11:02,820 But the Jews had had gone. And reading your book, the which is that just pre expulsion, that is really in many ways the heart of of your book? 99 00:11:02,820 --> 00:11:07,140 I think in some ways, yes. Absolutely. Yes. Yes. 100 00:11:07,140 --> 00:11:19,980 But I wonder if you if you thought very consciously about the fact that you are juxtaposing voluntary travel with forced migrations in your book. 101 00:11:19,980 --> 00:11:21,420 I suppose. Yes. 102 00:11:21,420 --> 00:11:34,440 I mean, I think that one of the things that fascinated me about the 13th century is that it it it does seem to be I read Kath the same joke, 103 00:11:34,440 --> 00:11:44,390 Mansfield's. Well, I'm going to fail to remember a book tighten up at the public penance. 104 00:11:44,390 --> 00:11:50,820 If you come across that extraordinary book on on extreme religion, mostly in France, 105 00:11:50,820 --> 00:12:06,390 but she looks at how really people were really controlled by the church in some ways by public shaming in terms of confession. 106 00:12:06,390 --> 00:12:14,350 And also in terms of pilgrimage. So people actually were often forced to to to go on pilgrimage. 107 00:12:14,350 --> 00:12:21,750 It might be only a pilgrimage to the next door next or village, or it might be as far as Rome. 108 00:12:21,750 --> 00:12:36,480 But I was fascinated by this time of hyper intense Christianity when people's beliefs were so strong that a married couple would 109 00:12:36,480 --> 00:12:48,840 would fear that they'd go to hell because they'd had sex on the wrong day of the week where the beliefs were so powerful. 110 00:12:48,840 --> 00:12:54,360 And I wanted to reflect that. And that was one of the things I was interested in, 111 00:12:54,360 --> 00:13:01,170 was also that one of the characters is actually is going to Rome because he's punched and Abbott's 112 00:13:01,170 --> 00:13:08,640 on the nose and he's obliged to go because otherwise he he'll be in probably lose his property. 113 00:13:08,640 --> 00:13:17,400 He'll be tried to heal. It was a at a time when pilgrimage was both voluntary. 114 00:13:17,400 --> 00:13:24,330 For some, it was a kind of holiday. Really, it was an opportunity to to enjoy a break and see the world. 115 00:13:24,330 --> 00:13:28,920 For others, it was really done out of fear of hell. 116 00:13:28,920 --> 00:13:33,330 And for others, it was forced upon them. Yeah, 117 00:13:33,330 --> 00:13:39,180 I think I think that's really interesting as well to that that sense that there's a spectrum where the 118 00:13:39,180 --> 00:13:46,500 we might be easy to see that the forced migration of of the Jews as completely different from up. 119 00:13:46,500 --> 00:13:53,430 Of course, a voluntary trip, but that there are lots of people who were feeling who were forced to go on these trips, 120 00:13:53,430 --> 00:13:57,900 not as brutally as as the Jews on their expulsion, 121 00:13:57,900 --> 00:14:07,020 but that the sense of that people weren't going out of that, out of a completely free choice, that people felt impelled to go to expiate their sins. 122 00:14:07,020 --> 00:14:14,730 Of course, you've got characters who are doing it because they they feel that their sins have caused terrible illnesses and people they love. 123 00:14:14,730 --> 00:14:20,280 And if they go on pilgrimage, they might get forgiven. And I think that the way that you get across that, 124 00:14:20,280 --> 00:14:25,290 that people have very different motivations for their journeys is really striking 125 00:14:25,290 --> 00:14:29,010 through your your really interesting range of characters in that sense, 126 00:14:29,010 --> 00:14:36,990 that people they're all going for very different reasons, some of them very funny, like the cat. 127 00:14:36,990 --> 00:14:47,970 One of the very serious. Yes. Yes. And I suppose I was also interested in how people negotiate the release of their time. 128 00:14:47,970 --> 00:14:54,960 So for some, the beliefs of their time are absolutely hard and fast. 129 00:14:54,960 --> 00:14:59,250 And they they accept them 100 percent. And others, you can. 130 00:14:59,250 --> 00:15:09,930 I'm having my readings suggested that there were some people who, even though they were thorough believers in in the Christianity of the time, 131 00:15:09,930 --> 00:15:15,150 nevertheless had a slight distance between themselves and the beliefs. 132 00:15:15,150 --> 00:15:19,230 They felt they had a confidence. These were usually the the richer, more educated. 133 00:15:19,230 --> 00:15:29,220 They had just a sense of being able to distance themselves a little bit and pursue their own motives or whatever at the same time. 134 00:15:29,220 --> 00:15:35,490 Yes. And I think that across the mediaeval period, there's always lots of reform movements, 135 00:15:35,490 --> 00:15:45,480 some of which turn turn into so-called heresies and breakaway groups that some of which are trying to reform the church from from within. 136 00:15:45,480 --> 00:15:53,220 And, of course, it crosses time. You have Wickliffe and Longy and a lot of questioning of of different elements of church teaching, 137 00:15:53,220 --> 00:16:01,260 but also very much of the corruption of church practise, which everyone is criticising church practise at the time. 138 00:16:01,260 --> 00:16:06,230 And that can be a very different thing from actually challenging the sacraments. 139 00:16:06,230 --> 00:16:12,750 The, you know, the corruption that that took place, particularly around things like indulgences and pilgrimage, 140 00:16:12,750 --> 00:16:16,770 is is something that many people were very upset about. 141 00:16:16,770 --> 00:16:24,330 And would you see a lot of people criticising pilgrimage and the idea that it's often taking advantage of of the vulnerable in various ways? 142 00:16:24,330 --> 00:16:30,660 I think we also see is being done to some of the characters in your in your book. 143 00:16:30,660 --> 00:16:37,000 Yes. No, I can see that. I think there was a there was always a kind of. 144 00:16:37,000 --> 00:16:44,150 An idealisation of the church and the disappointment that it rarely quite met up with the ideals expected. 145 00:16:44,150 --> 00:16:56,880 And one can see the Reformation appearing in ghostly form with heresies many times over the preceding centuries. 146 00:16:56,880 --> 00:17:09,730 So. But I also felt that actually my impression was that Catholicism was much broader, much more open, much more flexible. 147 00:17:09,730 --> 00:17:13,130 Its changes with the Reformation in these early times, 148 00:17:13,130 --> 00:17:21,150 it seems to include all sorts of ideas that were excluded later on, which I also find very interesting. 149 00:17:21,150 --> 00:17:26,280 Yeah, I think that's absolutely true, that it kind of goes in waves, doesn't it, were various points. 150 00:17:26,280 --> 00:17:32,910 This there's crackdown's and then other points. There's a much more kind of liberal and broad sense of what it's okay to believe. 151 00:17:32,910 --> 00:17:35,100 And even in the 14th century, 152 00:17:35,100 --> 00:17:43,770 you have this huge upsurge in vernacular mysticism where lots of people are trying different ways to have this more personal relationship with God. 153 00:17:43,770 --> 00:17:53,670 And then after Longy gets going and becomes associated with with rebellion, then there's a there's a crack down in that in the 15th century. 154 00:17:53,670 --> 00:17:59,520 But there is, I think, a lot of variety of belief still in interest this time. 155 00:17:59,520 --> 00:18:07,290 I mean, of course, that sense of of tolerance within Christianity is then set very sharply in opposition 156 00:18:07,290 --> 00:18:11,550 to the brutality that we often see being enacted against other religions as as again, 157 00:18:11,550 --> 00:18:16,620 I think you you showed very, very powerfully in pilgrims. 158 00:18:16,620 --> 00:18:25,470 But I think also I mean, one of the other things that I thought was really powerfully in pilgrims was that as well as writing a really 159 00:18:25,470 --> 00:18:33,060 interesting me about the relationship between Jewish people and Christians within England and Europe, 160 00:18:33,060 --> 00:18:41,610 you also looked at aspects of English colonialism in Wales and wrote about that kind of journeying. 161 00:18:41,610 --> 00:18:45,420 So as well as the pilgrimage, which stretches your book as a whole. 162 00:18:45,420 --> 00:18:56,280 There's also a kind of segment where you're looking at the kinds of the kinds of journeys that are going on across the English and Welsh border. 163 00:18:56,280 --> 00:18:59,040 And I think that, again, 164 00:18:59,040 --> 00:19:07,770 we often it's often easy not to think about the colonialism of this era because so much attention is given to the colonialism of later eras. 165 00:19:07,770 --> 00:19:15,450 But it's very important for us to think about the different waves of of Take-Over that have happened in these islands. 166 00:19:15,450 --> 00:19:25,140 And I just wondered if you wanted to talk a bit about why it was important to you to to emphasise that aspect of of Englishness? 167 00:19:25,140 --> 00:19:27,210 Well, I think it was partly the timing, 168 00:19:27,210 --> 00:19:37,440 because this was the year I'm writing about time so soon after the the annexation of North Wales and the kingdom. 169 00:19:37,440 --> 00:19:41,440 So I think the more. 170 00:19:41,440 --> 00:19:47,070 But initially, I think I was just going to refer to it through the English pilgrim characters. 171 00:19:47,070 --> 00:19:58,260 But then it seemed so important that I realised that I felt I had to have a completely different perspective on it all from a Welsh Arabize. 172 00:19:58,260 --> 00:20:05,250 And I think I was also drawn to it because in an earlier novel, English passengers, 173 00:20:05,250 --> 00:20:16,020 I was looking at the British in Australia and I was struck that the process was rather similar in many ways. 174 00:20:16,020 --> 00:20:24,180 A lot of it was less about a grand plan and more about individual careers, 175 00:20:24,180 --> 00:20:33,090 which people would try and gain add to their status by going somewhere else. 176 00:20:33,090 --> 00:20:39,490 And with often vast consequences for the people who happen to be in there somewhere else. 177 00:20:39,490 --> 00:20:52,780 But in the early 19th century, Tasmania and the late 13th century, Wales seemed really more similar than I would ever have expectations. 178 00:20:52,780 --> 00:21:02,080 Yeah, I think I find that very striking that the comparison you're making there, because I really loved your really but English passengers. 179 00:21:02,080 --> 00:21:11,140 I think the way that these two books sat in very different eras do show kind of recurring patterns is extremely interesting. 180 00:21:11,140 --> 00:21:20,950 I think it also reminds us of that the changing nature of borders that people tend to think about 181 00:21:20,950 --> 00:21:28,360 England and Great Britain and the British Isles as much more fixed than than they really are. 182 00:21:28,360 --> 00:21:39,090 So that back in back in interest this day, that was at that point the English king ruled lots of different parts of France as well. 183 00:21:39,090 --> 00:21:47,140 Aquitaine Calais and those borders were changing all the time, as well as the border with Scotland, the border with Wales. 184 00:21:47,140 --> 00:21:51,550 The things that go on in Ireland that these things were were changing all the time. 185 00:21:51,550 --> 00:22:00,010 People didn't have a sense of a nation state that that people tended to get in in later eras. 186 00:22:00,010 --> 00:22:04,690 One thing that I found was, um, when I was getting the maps drawn for my book, 187 00:22:04,690 --> 00:22:10,210 it was so difficult for me to get the Europe map because I was I had to decide at what point am 188 00:22:10,210 --> 00:22:16,570 I going to freeze the map because I can't have a map of this is Europe during Chaucer's life, 189 00:22:16,570 --> 00:22:21,490 because it wasn't the same across his whole life. The borders changed so many times. 190 00:22:21,490 --> 00:22:24,160 So you had to kind of pick a date and say, okay, well, 191 00:22:24,160 --> 00:22:32,500 it's going to be after this treaty and before that treaty so that I'm going to put the borders here because they these they they changed all the time, 192 00:22:32,500 --> 00:22:41,890 you know. And I felt right. That came across very strongly in in your book was the is something very familiar there. 193 00:22:41,890 --> 00:22:52,750 Is there a policy, political figures who basically can whip people up against foreigners and people who 194 00:22:52,750 --> 00:23:00,730 are seen to be unscrupulous foreigners causing trouble and self-serving individuals, 195 00:23:00,730 --> 00:23:05,890 which seems a very modern political approach, sadly. 196 00:23:05,890 --> 00:23:14,890 And at the same time, you have much more openness towards Europe than one finds in later centuries. 197 00:23:14,890 --> 00:23:24,740 I would say maybe in part, I'm sure, because a large part of the ruling elite was so involved with Europe that they were coming and going. 198 00:23:24,740 --> 00:23:31,720 That they, as you said, it's a it's a kingdom stretches across the channel. 199 00:23:31,720 --> 00:23:40,620 And I feel that it was a very different England after the Reformation, the Spanish Armada, 200 00:23:40,620 --> 00:23:50,890 the idea of a new identity becomes fixed in which Europe is purely something other and perilous and. 201 00:23:50,890 --> 00:23:58,420 Threats, really? Yes. I think part of that, as you're perhaps implying with that post reformation marker, 202 00:23:58,420 --> 00:24:03,220 is that Catholic Europe in particular becomes defined as very says southern 203 00:24:03,220 --> 00:24:07,840 Europe broadly becomes defined as very other to become the Protestant north, 204 00:24:07,840 --> 00:24:19,150 confirmed culturally. Whereas in in much the mediaeval era, there is still that that pull to Rome and to that sense of of Christendom, 205 00:24:19,150 --> 00:24:23,380 which for some people are often to get very antagonistic towards Rome. 206 00:24:23,380 --> 00:24:27,610 But there is that general sense of being part of that that bigger picture. 207 00:24:27,610 --> 00:24:33,040 And I think that that's the sense of that being a kind of identity. 208 00:24:33,040 --> 00:24:39,280 Where people did think of themselves as being Europeans is is important. 209 00:24:39,280 --> 00:24:47,780 And I suppose that that in general, I'm not talking about the the peasantry, the the the ordinary people, 210 00:24:47,780 --> 00:24:54,820 but the people with whom Chaucer was mixing that if you were at court throughout choices to just treacherous his lifetime, 211 00:24:54,820 --> 00:24:58,930 there were three different queens in one came from. Hey, no one came from Bohemia. 212 00:24:58,930 --> 00:25:04,210 One came from France. And they brought their retinues with them. 213 00:25:04,210 --> 00:25:08,410 Of people who brought that poetry and their art from different places in Europe. 214 00:25:08,410 --> 00:25:10,420 And when you say you travelled around Europe, 215 00:25:10,420 --> 00:25:17,160 he would he would meet people that he knew from the English court and who had connexions with people that that he knew. 216 00:25:17,160 --> 00:25:21,070 And when he went to Novar in northern Spain, as I was saying before, 217 00:25:21,070 --> 00:25:27,400 that there were some things that must have seemed very alien to him, the fact that there were these Jewish and Muslim communities there. 218 00:25:27,400 --> 00:25:32,650 But, you know, the king was a French speaking king who who had been a patron of my show. 219 00:25:32,650 --> 00:25:35,500 The great French poet who was on Chaucer's great influence, 220 00:25:35,500 --> 00:25:44,860 says that there's a kind of international culture that was when right across lots of different European cities. 221 00:25:44,860 --> 00:25:52,210 And I think when when Chaucer was reading texture it from all over Europe, those textural connected in different ways. 222 00:25:52,210 --> 00:25:57,100 One thing that I find very interesting is that when Chaucer chose to write in English, 223 00:25:57,100 --> 00:26:03,940 he was following a European fashion because he was really felt wouldn't be Italian desire to write in that Tuscan vernacular. 224 00:26:03,940 --> 00:26:11,560 So what seems to be a very nationalistic thing to do was, conversely, quite an international thing to do as well. 225 00:26:11,560 --> 00:26:13,180 I think that's really interesting. 226 00:26:13,180 --> 00:26:20,770 But I think also one of the things that I'm fascinated by is not just thinking about that highest level of culture, but to the core culture. 227 00:26:20,770 --> 00:26:23,230 But that really, for Chaucer, even more importantly, 228 00:26:23,230 --> 00:26:29,060 was the kind of city trading cultures that were stretching across Europe and the rest of the world, 229 00:26:29,060 --> 00:26:34,330 that that's why we see so much exchange happening with the products that we're 230 00:26:34,330 --> 00:26:38,200 travelling from all over the world that I find that very interesting thinking about. 231 00:26:38,200 --> 00:26:42,040 Where did objects come from? Where did the metals come from? 232 00:26:42,040 --> 00:26:45,220 The English money was made of Vladik. The fabrics come from that. 233 00:26:45,220 --> 00:26:50,300 They were making cushions, outtalking the way that things were travelling back and forth. 234 00:26:50,300 --> 00:26:54,310 And I think that's a really, really interesting thing to think about. 235 00:26:54,310 --> 00:27:00,850 Yeah. That that constant exchange with English will going out all over Europe at this time. 236 00:27:00,850 --> 00:27:15,910 Yes. Yes. No, it's it's fascinating. And I suppose really it's it's a time when so I'm losing myself here. 237 00:27:15,910 --> 00:27:19,750 I had a thought and it's gone well, while you're getting that thought. 238 00:27:19,750 --> 00:27:26,260 But one thing that I want to make sure I have time to ask you about is the way in which you researched 13th century Rome, 239 00:27:26,260 --> 00:27:30,400 because I felt like I learnt so much from your Rome chapters. 240 00:27:30,400 --> 00:27:36,640 And it helped me to imagine mediaeval Rome in a way that I've never been able to so vividly before. 241 00:27:36,640 --> 00:27:43,600 The texture of your writing was really brilliant. I thought that I'd really be very interested to hear what you did. 242 00:27:43,600 --> 00:27:50,830 You did you walk around the places. How much of the traces of mediaeval Rome can you still find that you live in Rome yourself? 243 00:27:50,830 --> 00:27:55,450 Yes. Well, I'd written this book which looks at mediaeval Rome. 244 00:27:55,450 --> 00:28:05,090 It's it's based on seven seconds. So I was focussing on Rome before ten eighty four when the Normans attacked Rome a bit. 245 00:28:05,090 --> 00:28:09,010 And I think I just read everything I could. 246 00:28:09,010 --> 00:28:21,800 There's a marvellous book by Krauthammer which on Rome from the age of Constantine, right through to be the age of the 14th century really. 247 00:28:21,800 --> 00:28:25,990 And that has tremendous detail. But also Rome is spoilt. 248 00:28:25,990 --> 00:28:33,340 So there's a lot of things still here. You can find them still sometimes where you wouldn't expect to find them. 249 00:28:33,340 --> 00:28:40,510 So this era already, Rome was like a kind of vast sum, you mean? 250 00:28:40,510 --> 00:28:48,130 It was filled with fortified towers, partly for defence, but mostly for status. 251 00:28:48,130 --> 00:28:58,170 Everybody wanted one. So. One near Piazza Navona, which is still marked as the Millers Tower because it was always a successful Miller, 252 00:28:58,170 --> 00:29:02,390 and if everyone else was gonna have a tower, he was going to have a tower. 253 00:29:02,390 --> 00:29:10,440 And some of these towers are actually half lost in the in this the structure of major buildings. 254 00:29:10,440 --> 00:29:12,420 So if you look carefully, 255 00:29:12,420 --> 00:29:22,650 you'll see a corner of a 19th century building that doesn't match and you realise it's an old tower that has been surrounded by later accretions. 256 00:29:22,650 --> 00:29:28,380 And so, you know, I, I just I read everything I could. 257 00:29:28,380 --> 00:29:35,820 And I was particularly great on that. And just trying to reimagine what it would have been like. 258 00:29:35,820 --> 00:29:41,250 Well, I love that sense of finding the the tower with the 19th century bits stuck onto it. 259 00:29:41,250 --> 00:29:46,410 I mean that because one thing that I found very important for me when I was researching the biography 260 00:29:46,410 --> 00:29:50,850 was to try to do some of that that kind of footstep and try to follow engrosses footsteps, 261 00:29:50,850 --> 00:29:58,530 trying to to see what what still remained of the things that he had seen, the art that he'd see in the buildings he'd seen. 262 00:29:58,530 --> 00:30:03,930 And I mean, one of the one of the very striking moments for me, similar to what you're describing now, 263 00:30:03,930 --> 00:30:12,750 was when I went to Milan and Bonalbo vis Conti's great palace and church, there's just this little bit. 264 00:30:12,750 --> 00:30:16,350 It's called something like San Giovanni in called cars, something like that. 265 00:30:16,350 --> 00:30:20,330 And it's on a traffic island now. It is. 266 00:30:20,330 --> 00:30:28,580 It's just that you find this kind of little room that you can go down into the crypt, but then you come up and there's just traffic roar. 267 00:30:28,580 --> 00:30:34,890 And it's this kind of strange little trace. But but there is that trace still there. 268 00:30:34,890 --> 00:30:42,710 But it then and you go to other places where everything seems to be so, so perfectly preserved. 269 00:30:42,710 --> 00:30:48,690 You know, you really enter into the young or you feel like you're entering into that the mediaeval past. 270 00:30:48,690 --> 00:30:55,680 But but much more often. I mean, as you see it very much in London, that the traces of the different eras are all piled on top of each other. 271 00:30:55,680 --> 00:31:02,730 And that's very energising as well. Of the ways you can what you can pull out from under those traces. 272 00:31:02,730 --> 00:31:08,520 Yes. Yes. And Rome is spoilt in that respect and that the Romans tend to leave things. 273 00:31:08,520 --> 00:31:14,910 And so even though some things have been destroyed, an awful lot has survived. 274 00:31:14,910 --> 00:31:19,320 Milan, I think, has had a rougher history. So there's much less. 275 00:31:19,320 --> 00:31:24,930 Just just to see what it look like. You did very well in Nevada. You found a lot up. 276 00:31:24,930 --> 00:31:30,000 Yeah. I mean, that was a really interesting journey. I think that that's a journey of choice. 277 00:31:30,000 --> 00:31:35,610 This has been very much neglected and people hadn't thought very much about it. 278 00:31:35,610 --> 00:31:40,740 One of the very striking things for me was going to early today and finding that that street 279 00:31:40,740 --> 00:31:47,340 of the Jews that was leading up to the the palace where is safe conduct was was issued by. 280 00:31:47,340 --> 00:31:50,700 One of the things that I that I did on that trip was I tried to. 281 00:31:50,700 --> 00:31:58,320 I went to the same time of year that Chaucer went. So I went in February and I thought this was a slightly kind of silly thing to do, probably. 282 00:31:58,320 --> 00:32:03,540 But then when I was in Rome, surveyor lays it in the cave, the mountain passes. 283 00:32:03,540 --> 00:32:13,350 And it really helped me come imaginatively to try to enter into his his experience because there was this kind of misty little town in the mountains. 284 00:32:13,350 --> 00:32:15,960 And I thought, gosh, imagine if I'd written here, you know, 285 00:32:15,960 --> 00:32:21,630 over the Pyrenees and there were bears and wolves and really to try to think about what that 286 00:32:21,630 --> 00:32:26,520 must have been like in winter and if the experiences that he had as a traveller that I mean, 287 00:32:26,520 --> 00:32:35,120 that was what I think one extraordinary experience. Another one was that he was he was taken prisoner, one teenager and he was ransomed. 288 00:32:35,120 --> 00:32:39,780 There's so many really interesting, different different kinds of journeys. 289 00:32:39,780 --> 00:32:46,530 But I think that if I just move back to your book and think about the different kinds of journeys that you're talking about, 290 00:32:46,530 --> 00:32:51,250 because also I think the journeys are very different, depending on the person who's going through that. 291 00:32:51,250 --> 00:32:59,610 But I was really pleased to see that you focussed a lot on women, on female characters, as well as male characters in your book. 292 00:32:59,610 --> 00:33:06,630 And I just wondered I wondered if you'd like to to talk a little bit about your Marjorie camp inspiration. 293 00:33:06,630 --> 00:33:07,470 Yes. Well, I mean, 294 00:33:07,470 --> 00:33:17,910 I think the characters were inspired by either people who reasons for going on a pilgrimage or real people who I read about and Marjorie Camp. 295 00:33:17,910 --> 00:33:24,790 Obviously, she's a major figure because she's the first English woman. 296 00:33:24,790 --> 00:33:37,490 First you did about an autobiography. And she's a phenomenal figure, rather irritating in many ways, but phenomenal at the same time. 297 00:33:37,490 --> 00:33:48,520 I'm I'm well, I also came across. Lucy did Twain, who I used as Lucy to born, and she was just such an extraordinary figure. 298 00:33:48,520 --> 00:34:00,120 I think I came across. And in various periodicals initially, and then I read everything I could about her and her life was so extraordinary, 299 00:34:00,120 --> 00:34:12,240 it also said a lot about mediaeval divorce and the whole process of of mediaeval law, which was so, so different and seemed so complicated. 300 00:34:12,240 --> 00:34:16,350 It's and I found that fascinating, too. Yeah. 301 00:34:16,350 --> 00:34:20,730 I think it's fascinating when you do see that some mediaeval women, often the more privileged ones, 302 00:34:20,730 --> 00:34:26,030 but they were able to carve out quite a lot of independence for themselves, that FEMA, 303 00:34:26,030 --> 00:34:30,040 the inheritance laws were often quite good for wealthier women and things like that. 304 00:34:30,040 --> 00:34:33,900 Yes. Well, the wife, I think the people, the wife of Bath. 305 00:34:33,900 --> 00:34:42,780 I mean, I'm sure that she was had an eye on the fact that she could enrich herself and did so. 306 00:34:42,780 --> 00:34:47,730 Yeah, absolutely. That she's able to inherit very well from her first three husbands. 307 00:34:47,730 --> 00:34:50,850 And then she completes herself more with her with her late husband's, 308 00:34:50,850 --> 00:34:58,950 which is it wasn't the case in all European countries over inheritance laws were different for four different women. 309 00:34:58,950 --> 00:35:03,240 But I mean, I think that it'll be it'll be wonderful to go on talking forever. 310 00:35:03,240 --> 00:35:08,250 I think it's time for us to see if there's any questions for us. 311 00:35:08,250 --> 00:35:13,730 So I'm going to hand over to Wes, who hopefully will have some some questions for us. 312 00:35:13,730 --> 00:35:17,770 Now. There are indeed many questions. 313 00:35:17,770 --> 00:35:22,490 Thanks so much for starting this debate going. 314 00:35:22,490 --> 00:35:30,180 And I have a whole bunch of questions. Fed through to me here from from listeners and viewers. 315 00:35:30,180 --> 00:35:35,920 And I might start with where you just ended. 316 00:35:35,920 --> 00:35:41,620 In other words, the question of the women's role in both of your stories, actually. 317 00:35:41,620 --> 00:35:46,750 So if Chaucer is famous for one of the things Chaucer is famous for is precisely the wife of bath tale, 318 00:35:46,750 --> 00:35:56,050 or that the kind of the degree to which he gives voice to women. And of course, as Marianne said, women are central to your story, Matthew. 319 00:35:56,050 --> 00:36:00,160 But there's one question at Charlotte Cooper. 320 00:36:00,160 --> 00:36:08,830 Davis said that she is intrigued by something that Marianne said about Bill Midge being criticised as something that was done to the vulnerable, 321 00:36:08,830 --> 00:36:13,480 which may or may not include women. Can you say something more about that? 322 00:36:13,480 --> 00:36:19,750 Do you remember having said that, Graham is the kind of thing that is imposed on people done to the vulnerable? 323 00:36:19,750 --> 00:36:28,420 It goes to the question early on about voluntary travellers opposed to forced migration, I guess, as well as any thoughts on that. 324 00:36:28,420 --> 00:36:35,560 So I think that pilgrimage was usually criticised, really, because it was it was seen as a holiday for people. 325 00:36:35,560 --> 00:36:39,340 So the main way in which we see pilgrimage being criticised is the sense that 326 00:36:39,340 --> 00:36:44,620 people were just they were going on pilgrimage and not because they were devout, 327 00:36:44,620 --> 00:36:49,450 but because they wanted to get away from their ordinary lives and they wanted to have some fun. 328 00:36:49,450 --> 00:36:54,520 And there certainly were people for whom that was true, said there are various taxers talk about women going on, 329 00:36:54,520 --> 00:36:58,360 Pelc mentioned coming back pregnant and that kind of thing. 330 00:36:58,360 --> 00:37:02,680 And so there are critiques of pilgrimage that say, you know, everyone's just enjoying themselves. 331 00:37:02,680 --> 00:37:08,410 And, of course, a really important thing about Chaucer's pilgrimage as opposed to the pilgrimage that Narky depicts, 332 00:37:08,410 --> 00:37:14,590 is that Chaucer's pilgrims don't get there. It's all about the most about the destination. 333 00:37:14,590 --> 00:37:18,970 I think I think the point I was making about vulnerability was was a slightly different one. 334 00:37:18,970 --> 00:37:20,650 And maybe I'd maybe I wasn't quite clear. 335 00:37:20,650 --> 00:37:28,990 But there I was talking about the the idea that some people were not choosing to go on pilgrimage out of their own free will. 336 00:37:28,990 --> 00:37:34,060 But the idea that some people were feeling very much like they like they have to go on pilgrimage, 337 00:37:34,060 --> 00:37:37,480 that they were not going to have their sins forgiven if they didn't go on pilgrimage, 338 00:37:37,480 --> 00:37:45,110 that they had no other choice, even if it was going to cause them all kinds of personal or financial difficulties, they had to go. 339 00:37:45,110 --> 00:37:52,600 And there's lots of evidence of people trying to trying to get out of going and making a vow to go on pilgrimage, for instance, 340 00:37:52,600 --> 00:37:59,050 when they're going through something terrible and then later on and not wanting to do this anymore or having a new husband. 341 00:37:59,050 --> 00:38:05,440 You said you couldn't do that. They couldn't go. But feeling they were still bound by their found trying to work out what they could do better off. 342 00:38:05,440 --> 00:38:09,080 People would sometimes pay someone else to go flat, for instance. 343 00:38:09,080 --> 00:38:13,540 But apparently property pilgrims effectively. Yes. Yes. Yes. 344 00:38:13,540 --> 00:38:17,620 Yes. Yes. Marty, did you want to say anything about this question about. 345 00:38:17,620 --> 00:38:26,890 Yes. Yes. Well, just my impression when I was researching this was that most pilgrims were reasonably well off, 346 00:38:26,890 --> 00:38:34,300 which may be part of the accusation that this was really a form of long distance holiday. 347 00:38:34,300 --> 00:38:41,200 But I also think that the there were some who were much poorer, but it was quite tough. 348 00:38:41,200 --> 00:38:48,530 I mean, you you could beg your way and it was acceptable to do this, but it wasn't it wasn't an easy option. 349 00:38:48,530 --> 00:38:55,420 And most pilgrims who went somewhere like Rome were as as the characters in the Canterbury Tales. 350 00:38:55,420 --> 00:39:00,430 They were you know, they weren't penniless, you know, or they were sponsored or, 351 00:39:00,430 --> 00:39:04,520 you know, there was a kind of degree of people got together again, as usual. 352 00:39:04,520 --> 00:39:09,580 Your novel shows, but also, as your book shows in relation to Chaucer and I declare an interest. 353 00:39:09,580 --> 00:39:12,430 I've written a book about the 16th century doldrums where, again, 354 00:39:12,430 --> 00:39:19,960 proxy pilgrims and people being sponsored by their priory or that particular area to stay with the question of vulnerability. 355 00:39:19,960 --> 00:39:23,680 And then this is is part of your book as well, Matthew. 356 00:39:23,680 --> 00:39:31,200 Somebody asks, how did unwell or disabled pilgrims trouble? And you have a number of unwell pilgrims in your story. 357 00:39:31,200 --> 00:39:35,470 If you want to explain why you focussed, if you like, 358 00:39:35,470 --> 00:39:43,900 on those on this sort of pilgrimage as cure or as in relation to disease and in relation to various kinds of unwellness. 359 00:39:43,900 --> 00:39:49,290 Yes, and it was very common as it is still today. People go to church for that exact reason. 360 00:39:49,290 --> 00:39:56,980 And I think because the assumption was that if you were unwell or one of your family were unwell, 361 00:39:56,980 --> 00:40:04,630 it was it was their own fault, really, because they must have sinned because there could be no other explanation. 362 00:40:04,630 --> 00:40:12,820 So, I mean, I was the only difficulty I had was that they going to Rome and that was the classical destination. 363 00:40:12,820 --> 00:40:21,940 If you were sick, you tended. Two, you went to Rome to get rid of your to get in to reduce your time in purgatory, right? 364 00:40:21,940 --> 00:40:33,000 You went there because of two to ease your sins or to get Saint Peter to charm God into letting off your letting off your time in purgatory. 365 00:40:33,000 --> 00:40:40,030 So. But no, I think people would go to tremendous lengths. 366 00:40:40,030 --> 00:40:48,340 Probably more. I mean, people will go to Saint Friday's. Why did Oxford do to try and find a cure through pilgrimage. 367 00:40:48,340 --> 00:40:53,600 And some of the scenes in these places must have been to our eyes will be very, very distressing. 368 00:40:53,600 --> 00:41:01,670 I suspect very sick people struggling to get to a destination in difficult circumstances. 369 00:41:01,670 --> 00:41:08,290 Yeah, yeah. Yeah. I should say that the opening of the Canterbury Tales talks about the fact that people are 370 00:41:08,290 --> 00:41:13,850 going to Hooghly blissful martyr for to see if that had had hope and one that they were seek. 371 00:41:13,850 --> 00:41:19,300 So they're going to seek Thomas a Beckett who's helped them when they were sick, when they were L. 372 00:41:19,300 --> 00:41:23,380 And there's that sense that this is both physical illness, but also spiritual moral illness. 373 00:41:23,380 --> 00:41:27,580 And as Matthew is implying, those two things are often seen as going hand in hand. 374 00:41:27,580 --> 00:41:33,250 So you're seeking a cure for your for your sins or for your physical ailments. 375 00:41:33,250 --> 00:41:37,240 And that that is that that's seen as trying to get a rebirth. 376 00:41:37,240 --> 00:41:43,360 And so that opening of the Canterbury Tales is set in the time of in April, in springtime, Easter, 377 00:41:43,360 --> 00:41:48,400 the time when you can be rejuvenated, rebirth, reborn in imitation of the resurrection of Christ. 378 00:41:48,400 --> 00:41:54,130 And that's that's seen as something which is curing your soul and curing your body. 379 00:41:54,130 --> 00:42:03,060 And of course, there's all kinds of problems that I think we also see in Matthew's book how how awful that is for the same people who are seen as. 380 00:42:03,060 --> 00:42:09,070 Yeah. Yeah. Another question has to do with sort of percentages. 381 00:42:09,070 --> 00:42:17,320 And it's very hard to do this. I know. But you said right at the beginning, Mary, that there's a sort of educated elite, shall we say, 382 00:42:17,320 --> 00:42:22,270 that are moving around much more than we really realised in the mediaeval period. 383 00:42:22,270 --> 00:42:30,340 Do we have any notion of what percentage of people are likely to have been on pilgrimage across this period? 384 00:42:30,340 --> 00:42:32,620 Well, I can't give you a number right now, 385 00:42:32,620 --> 00:42:38,920 but I think that it's really important to emphasise the fact that there were lots and lots of different ways of going on pilgrimage. 386 00:42:38,920 --> 00:42:45,490 So many, many, many people would have gone on a local pilgrimage to local pilgrimages within a day. 387 00:42:45,490 --> 00:42:53,870 For instance, very likely, you know, there are lots. The pilgrimage sites everywhere, all kinds of little local shrines and little figures. 388 00:42:53,870 --> 00:43:00,790 And so there's the very local pilgrimages. Then this pilgrimage, as you know, a little bit further afield, you know, just within England. 389 00:43:00,790 --> 00:43:09,520 There's so many major pilgrimage sites here ranging from Dharam to Walsingham to Canterbury, lots lots of different sites. 390 00:43:09,520 --> 00:43:11,560 And then those things, 391 00:43:11,560 --> 00:43:21,430 even the great country pilgrimage is still much more accessible than the great European pilgrimages and feel to to Santiago de Compostela in Spain, 392 00:43:21,430 --> 00:43:25,900 Rome and then Jerusalem and the Holy Land. There's lots of other, of course, places as well. 393 00:43:25,900 --> 00:43:33,580 But those are the major ones. So, I mean, I can't give you a number, but not not that many people would be going to Jerusalem. 394 00:43:33,580 --> 00:43:39,330 But no, each number of people would be going to local shrines on on local pilgrimages. 395 00:43:39,330 --> 00:43:47,350 OK, so then even if we can think it, we need to rethink our understanding of who could travel in the mediaeval period. 396 00:43:47,350 --> 00:43:49,000 And again, it's the same in the Renaissance. 397 00:43:49,000 --> 00:43:56,520 I was amazed at how many people did travel around both local pilgrimage up and long distance pilgrimages in that period. 398 00:43:56,520 --> 00:44:04,180 Yeah, this is a local shrine, whether it's a shrine for cure or for various other kind of ailments. 399 00:44:04,180 --> 00:44:11,260 People clearly moved around a lot more than we imagined. Now you've got this notion of people stuck in their villages and never really going anywhere. 400 00:44:11,260 --> 00:44:15,550 No. Is that what you discovered as well, Matthew, on your research? Yes. 401 00:44:15,550 --> 00:44:20,440 Yes, definitely. And also, I mean, there was more organised, I would say, come in. 402 00:44:20,440 --> 00:44:27,790 The Venetians had these wonderful package and they had a travel agent who I just paid upfront and everything was included. 403 00:44:27,790 --> 00:44:39,460 All your meals. Now, the tour of Jerusalem on the side trip off to where it was Jericho or that was it was surprisingly modern and very efficient. 404 00:44:39,460 --> 00:44:43,660 Generally, the ships didn't sink. They weren't captured by marauders. 405 00:44:43,660 --> 00:44:51,280 Everything works fine. Occasionally, the genuine use had a reputation for sometimes sending their pilgrims into slavery. 406 00:44:51,280 --> 00:44:57,730 But the Venetians were very reliable. Your research is under review. 407 00:44:57,730 --> 00:45:00,820 Inspired you to go on pilgrimage yourselves. 408 00:45:00,820 --> 00:45:12,840 And if so, has it changed your perception of the practise or have you kept your distance from the actual journeys as opposed to imagined ones? 409 00:45:12,840 --> 00:45:19,470 So I haven't done a pilgrimage, but I did lots of actual journeys when I was set, when I was researching the book. 410 00:45:19,470 --> 00:45:25,430 So when I was researching Chaucer European life, that was a really important part of my research for me. 411 00:45:25,430 --> 00:45:34,680 And not only because luckily he went to places like Florida who certain it's like, you know, it's a tough job. 412 00:45:34,680 --> 00:45:36,170 Someone's got to do it. 413 00:45:36,170 --> 00:45:44,520 But I seriously, I found it extremely useful to go and try to walk those streets because because I organised the biography through places and spaces, 414 00:45:44,520 --> 00:45:50,130 it was hugely important for me to try to reconstruct those those spaces in my own head and to 415 00:45:50,130 --> 00:45:55,600 try to you to go into London and find the church where his daughter's monastery had been. 416 00:45:55,600 --> 00:45:57,210 And that kind of thing. 417 00:45:57,210 --> 00:46:03,760 And then to sit there and look around and work out what had been there in the 14th century and what what had been there was now gone. 418 00:46:03,760 --> 00:46:09,720 But often those trapped, those even those local trips, as well as the ones further afield in Europe, 419 00:46:09,720 --> 00:46:13,560 I couldn't quite put my finger on why it had been so important. 420 00:46:13,560 --> 00:46:22,620 But something changed for me in my process of understanding Chaucer's life and his imagination when I went on those trips. 421 00:46:22,620 --> 00:46:26,580 I haven't done a pilgrimage, but I must say I've I've thought about it. 422 00:46:26,580 --> 00:46:30,330 I feel that when I have more time, I would I would be very. 423 00:46:30,330 --> 00:46:34,770 And I think particularly doing something like walking that route to Santiago or something. 424 00:46:34,770 --> 00:46:39,510 I mean, I, I can't imagine how that is a very kind of mindful thing to do. 425 00:46:39,510 --> 00:46:43,660 Mm hmm. And that all you need to do is go out of your front door and you're already in Rome. 426 00:46:43,660 --> 00:46:47,640 Yeah. Yes. In what respect? Yes. 427 00:46:47,640 --> 00:46:54,810 No, it's, um. I've never gone on. I'm not a very religious person, so I never thought of going on a pilgrimage. 428 00:46:54,810 --> 00:47:00,120 I used to love walking and I did a lot of some huge walks. 429 00:47:00,120 --> 00:47:12,150 So I'm used to the same rhythm of walking. And I think in this in this case, I just knew I wouldn't have the chance of walking any of this. 430 00:47:12,150 --> 00:47:20,090 So I just researched everything I could. I read accounts by people even quite recently who have done the walk to Rome. 431 00:47:20,090 --> 00:47:24,420 And and I researched, obviously, all the places they're going off to. 432 00:47:24,420 --> 00:47:31,530 And I was quite shocked to discover that the pilgrimage routes across France, 433 00:47:31,530 --> 00:47:36,180 as far as it's known, because it's not known, is exactly as one would think. 434 00:47:36,180 --> 00:47:39,810 Is pretty much the line of the trenches in the First World War. 435 00:47:39,810 --> 00:47:46,680 So again and again, I would find references to splendid mediaeval town that had been blasted to bits. 436 00:47:46,680 --> 00:47:51,570 By artillery. And I was it was just a very strange, 437 00:47:51,570 --> 00:48:00,390 rather eerie coincidence to think that these programmes were effectively walking the trenches that would appear centuries later. 438 00:48:00,390 --> 00:48:03,420 Mm hmm. That's a very nice allegory for me. 439 00:48:03,420 --> 00:48:09,600 To the next question, the part about the title for today's session is Pilgrimage, Diplomacy and Colonialism. 440 00:48:09,600 --> 00:48:16,740 And in a way, each of your books is about layers of place as well as make about how exactly 441 00:48:16,740 --> 00:48:22,320 the same place might have had another moment become a different kind of place. 442 00:48:22,320 --> 00:48:27,060 And that example you've just given, Matthew, is extraordinary. I wondered if so. 443 00:48:27,060 --> 00:48:33,350 Within your novel, the colonial side of the question is principally around England and Wales. 444 00:48:33,350 --> 00:48:40,980 Yes. Patient, as you said, of North Wales or what's now in North Wales, if you like, in particular. 445 00:48:40,980 --> 00:48:41,280 Again, 446 00:48:41,280 --> 00:48:51,690 I just sort of offering the chance to each of you to reflect a little more on colonialism and the degree to which the practise of pilgrimage overlaps, 447 00:48:51,690 --> 00:48:59,760 where there is distinct from the practise of colonialism, either within Europe or more broadly. 448 00:48:59,760 --> 00:49:05,700 I mean, most obviously, when it gets to the Crusades, perhaps, but more more broadly, have you thorns on that? 449 00:49:05,700 --> 00:49:09,720 Let's start with Marrin this time. Yeah, I have lots of thoughts on that. 450 00:49:09,720 --> 00:49:20,640 So I imagine you might. I mean, I think that the Crusaders often called themselves pilgrims and really blurred the boundary between 451 00:49:20,640 --> 00:49:28,220 crusading and pilgrimage in a way that might seem extremely surprising to too many of us that they. 452 00:49:28,220 --> 00:49:33,210 But once you think about, of course, you can see why with that particular motivation, they did think like that. 453 00:49:33,210 --> 00:49:42,060 So I think that particularly the pilgrimage to the Holy Land was very much bound up with offer, with a militaristic mentality. 454 00:49:42,060 --> 00:49:48,990 And with that sense of actually taking over those spaces in a way that, you know, other pilgrimages, 455 00:49:48,990 --> 00:49:57,180 I think were often quite different to that, too, that people would not go on pilgrimage with that sense of taking the lands over. 456 00:49:57,180 --> 00:50:03,420 I think that Holy Land pilgrimage was quite different. But I think that in terms of thinking more broadly about. 457 00:50:03,420 --> 00:50:11,020 About colonialism, that there's there's lots of different ways in which we might think about about colonialism. 458 00:50:11,020 --> 00:50:12,580 Different kinds of migration. 459 00:50:12,580 --> 00:50:19,300 So, I mean, it's quite a small part of my butt, but one of the things that that I that I think is very interesting is that wanted to chose. 460 00:50:19,300 --> 00:50:24,990 His first employer, Elizabeth Dibber, was married to Lionel Clarets, who then also became choice. 461 00:50:24,990 --> 00:50:32,140 His employer and chosen went with him to fight in France, where he was ransomed, as I as I mentioned a few minutes ago. 462 00:50:32,140 --> 00:50:40,750 Now, Lionel went on to come to a governorship in Ireland and implemented the statutes of Kilkenny, 463 00:50:40,750 --> 00:50:50,710 which were notorious and appalling colonial laws in Ireland that prohibited the use of the Irish language by many people, 464 00:50:50,710 --> 00:50:54,860 prohibited intermarriage and native sports and all those kinds of things. 465 00:50:54,860 --> 00:51:02,380 And the one thing that I thought was very interesting when I was thinking about that moment in the 13 60s when he did that 466 00:51:02,380 --> 00:51:11,650 was that English at that moment has become the colonial language that is pressing the native languages in in Ireland. 467 00:51:11,650 --> 00:51:18,450 And we see, you know, Matthew demonstrates the way that was being done in in Wales, Ireland in the 13th century. 468 00:51:18,450 --> 00:51:21,880 But within England, for Chaucer, 469 00:51:21,880 --> 00:51:31,900 English was itself the native language that had been oppressed by the colonial languages of Latin and French in a hundred years earlier. 470 00:51:31,900 --> 00:51:39,580 So I thought the fact that that's the language meant something very different in different places was really important. 471 00:51:39,580 --> 00:51:44,530 The thinking about the fact that England had been a country that was repeatedly taken 472 00:51:44,530 --> 00:51:50,110 over for hundreds of years and then it became the colonial aggressor in its turn. 473 00:51:50,110 --> 00:51:55,790 And what what what the language meant in different places and what it means in different places in Iowa as well. 474 00:51:55,790 --> 00:52:00,910 It is really finely tuned and varied. Thank you. 475 00:52:00,910 --> 00:52:04,630 That's a very rich response. Matthew, do you have. 476 00:52:04,630 --> 00:52:13,360 I mean, as Marianne says, English and Welsh are in a sort of conflict in your in your story and the Welsh character. 477 00:52:13,360 --> 00:52:21,640 Again, I don't want to give too much away about it, but the welfare to find the kind of liberation once he is in a non English speaking world 478 00:52:21,640 --> 00:52:26,680 and adopts all sorts of other identities and discovers that actually pretend to be Dutch, 479 00:52:26,680 --> 00:52:32,820 let's say it is much more useful than saying I'm English. I suppose there is a question. 480 00:52:32,820 --> 00:52:39,910 Is that also part of a sort of colonial understanding of the English as a particularly brutish race? 481 00:52:39,910 --> 00:52:44,410 Or is that just a part of it? I I'm I'm very fond of the English. 482 00:52:44,410 --> 00:52:49,330 I'm English myself. So no, I wasn't trying to have a go at the English. 483 00:52:49,330 --> 00:52:51,820 I was just fascinated by this moment. 484 00:52:51,820 --> 00:53:01,540 And it was that that particular moment, the the annexation of North Wales was was very brutal and it was brutally done. 485 00:53:01,540 --> 00:53:11,440 And I found something that was the kind of curious and rather terrible mixture of of brutality, careers, 486 00:53:11,440 --> 00:53:19,750 search for status, taking over land and romance, because this area was also the land of King Arthur. 487 00:53:19,750 --> 00:53:29,110 So you had Edward the first and his queen wandering round on a tour of the Arthurian sites, 488 00:53:29,110 --> 00:53:33,850 romantically enjoying these and feeling that these were really their property, 489 00:53:33,850 --> 00:53:41,450 now their cultural property, because he was now the prince of Wales or that he was claiming the Welsh throne. 490 00:53:41,450 --> 00:53:48,490 And I found that all rather slightly, slightly distasteful at the same time. 491 00:53:48,490 --> 00:53:56,080 I mean, I suppose it's we were talking about a time when people are moving away from Latin. 492 00:53:56,080 --> 00:54:04,630 And in a way, this is there is a new division occurring in Europe because Europe, Western Europe really had had a truly were Franco, 493 00:54:04,630 --> 00:54:12,370 which it's never had since, which is there was no question of whether one should some one language should predominate. 494 00:54:12,370 --> 00:54:17,890 There was always a language which a very large number of certainly the more 495 00:54:17,890 --> 00:54:25,140 educated people could speak anywhere from Poland to France to Italy to Scotland. 496 00:54:25,140 --> 00:54:30,130 And it was I mean, you can see why that was was not going to last forever. 497 00:54:30,130 --> 00:54:36,460 But it must have given a unity to Europe, which has never really existed since. 498 00:54:36,460 --> 00:54:41,480 It's interesting because there are two stories, which, again, one of the questions asks a version of this. 499 00:54:41,480 --> 00:54:49,030 There's two stories there. One is about how there was this lingua franca and therefore a unity to Europe, and then another one is open. 500 00:54:49,030 --> 00:54:53,530 English was so multicultural and multilingual that it was connected to Europe. 501 00:54:53,530 --> 00:54:56,930 I mean, I'm not saying these two things are in conflict with each other, 502 00:54:56,930 --> 00:55:02,170 but both of those stories suggest that somehow the Reformation was a defining moment and therefore 503 00:55:02,170 --> 00:55:10,870 that your books are placed at the moment of English history before various things broke. 504 00:55:10,870 --> 00:55:19,330 Obviously, in your case, the expulsion of the Jews, but also a kind of loss of a multilingual connectedness to Europe. 505 00:55:19,330 --> 00:55:23,320 Is that too much of a grand narrative history for you? 506 00:55:23,320 --> 00:55:27,490 That's that was the impression when I was trying to read about English at that time. 507 00:55:27,490 --> 00:55:36,270 Right. That was the impression I got. I mean, there's always a tension between the local and the the international in any society, in any place. 508 00:55:36,270 --> 00:55:45,130 And certainly there was in England at that time, as Marian so clearly demonstrated with with in her book. 509 00:55:45,130 --> 00:55:55,120 But I think the there was and that tension may have been slightly greater in England just because it was Niland or written because it was an island. 510 00:55:55,120 --> 00:56:07,090 But I do feel it was in some ways a more broader, more international looking place than it became in the next century or two. 511 00:56:07,090 --> 00:56:10,660 Would you want to argue that to in or of the resistance? 512 00:56:10,660 --> 00:56:19,210 I think that I think one important issue is that this works differently, depending on your class and your gender and your and your background. 513 00:56:19,210 --> 00:56:29,260 So that when when people are writing, well, attacks in in Latin, then there is this wonderful way in which you can speak across across borders. 514 00:56:29,260 --> 00:56:33,040 And there's obviously huge benefits to that. 515 00:56:33,040 --> 00:56:40,720 When you start writing you in the vernacular, you lose some of that, but you're able to speak to a broader demographic within your own country. 516 00:56:40,720 --> 00:56:46,860 So a slightly broader range of classes and usually more women as well as men. 517 00:56:46,860 --> 00:56:53,050 And that's what that's what people such as the Catcher in Italy and Chaucer in England are are able to do. 518 00:56:53,050 --> 00:56:58,480 But whatever linguistic choice you make, you know, some something is is lost, isn't it? 519 00:56:58,480 --> 00:57:04,690 Because you're you're choosing which kinds of audiences you're going to to access. 520 00:57:04,690 --> 00:57:05,590 So, you know, 521 00:57:05,590 --> 00:57:15,790 I think that there were there absolutely was a was a moment now when someone such as Chaucer is able to speak and read in so many languages. 522 00:57:15,790 --> 00:57:24,820 So he himself is able to connect with these. All these people within England was still a relatively small group in a manuscript culture. 523 00:57:24,820 --> 00:57:29,840 And he's also able to read text written from all over Europe. 524 00:57:29,840 --> 00:57:33,940 You know, he's not your your typical English person at this time. 525 00:57:33,940 --> 00:57:42,670 But I think it is true that educated people at this time were able to, you know, very much to be reading texts across across borders. 526 00:57:42,670 --> 00:57:49,240 And that's certainly something that that does get lost. But I think Englishness, you know, as he was saying before it, 527 00:57:49,240 --> 00:57:58,840 it does start to mean something very different wants Rome becomes is perceived as as an enemy rather than as the ideal destination as it is. 528 00:57:58,840 --> 00:58:03,890 Yes. Yes. Yes. No, it's different Europe, I think. 529 00:58:03,890 --> 00:58:09,760 Okay. Well, again, thank you, Sarah Baber's for the question that generated a bit of a discussion. 530 00:58:09,760 --> 00:58:13,510 I think we're time for three or four more questions, some of them. 531 00:58:13,510 --> 00:58:16,930 Let's go for some of the more punctual, straightforward questions, if you like, 532 00:58:16,930 --> 00:58:24,910 other any unexpected diaries of 13th century pilgrims that have been discovered recently, or has all this stuff been known for a long time? 533 00:58:24,910 --> 00:58:31,150 Are there still treasures in the archives? I am sure there are still treasures at the archives. 534 00:58:31,150 --> 00:58:35,770 I mean, I can't think off the top of my head of a of a recent discovery of a diary. 535 00:58:35,770 --> 00:58:39,560 Certainly lots of documents. Interesting documents that are still discovered. 536 00:58:39,560 --> 00:58:44,520 So, for instance, just in the last few years, new documents have been discovered about about muchI camp, 537 00:58:44,520 --> 00:58:48,340 that the victims are women who we're talking about before, for instance. 538 00:58:48,340 --> 00:58:55,390 But I'm sure there are still I mean, I'm sure there's still lots of records about Chaucer in archives around Europe that haven't been found. 539 00:58:55,390 --> 00:59:02,680 Yes, I'm on pilgrimage, I think. What's surprising is that there are so few detailed sources with. 540 00:59:02,680 --> 00:59:08,020 We still don't really know exactly where they. The pilgrims sort of walked on their way to Rome. 541 00:59:08,020 --> 00:59:15,860 Marjorie Kamps, very valuable. But she tends to have her own priorities and she doesn't always say where she was exactly. 542 00:59:15,860 --> 00:59:21,170 So, no, I was surprised to find how little information there was. 543 00:59:21,170 --> 00:59:29,300 Thank you. Another sort of archival question, which is the other particular anecdotes from Charles's life, Marion. 544 00:59:29,300 --> 00:59:35,390 That is your sort of favourite story that you didn't know before you started, but that you discovered afterwards? 545 00:59:35,390 --> 00:59:39,320 Well, everyone's favourite story from ever is the story of the Paltalk. 546 00:59:39,320 --> 00:59:42,260 I think so that the, um, the first life. 547 00:59:42,260 --> 00:59:48,110 So we have lots of life records of Chaucer because he was a civil servant and the English have good bureaucracy. 548 00:59:48,110 --> 00:59:54,350 And the first love, the first source that we have tells us not anything that is particularly important, 549 00:59:54,350 --> 00:59:58,460 it seems just tells us that his employer bought him some clothes. 550 00:59:58,460 --> 01:00:03,600 But I started to look into what these clothes were said, the Paltalk, these two coloured hoes, 551 01:00:03,600 --> 01:00:07,970 these shoes that he was bought by Elizabeth Dibber when he was a page boy. 552 01:00:07,970 --> 01:00:15,320 And I found out that these were scandalous items of clothing. So this is a complete surprise to me when I found out that at the time. 553 01:00:15,320 --> 01:00:19,700 Lots and lots of chroniclers were writing about these outrageous items of clothing, 554 01:00:19,700 --> 01:00:27,800 were saying this Gustin young man are wearing these short tunics that are exposing that buttocks and they're wearing these tight hoes along. 555 01:00:27,800 --> 01:00:33,740 Frontrow even said that this was why the play could returns to England thinking these because young 556 01:00:33,740 --> 01:00:39,530 men were dressing in such a disgusting and outrageous way that God was punishing the English. 557 01:00:39,530 --> 01:00:42,380 And so, you know, obviously, this is a funny anecdote, 558 01:00:42,380 --> 01:00:48,560 but I also thought it was really interesting because on the one hand, you have this sense of OPIS that just like us, 559 01:00:48,560 --> 01:00:56,800 you know, teenagers dressing appropriately at older people, you know, tell them off about and say, you know, young people of today. 560 01:00:56,800 --> 01:01:02,420 But on the other hand, this is a very unfamiliar way of living because this young boy is not choosing these clothes. 561 01:01:02,420 --> 01:01:06,860 His employer is dressing him. He is being paid in clothes and food. 562 01:01:06,860 --> 01:01:11,030 He doesn't own room. He doesn't have his own money. He's paid in kind. 563 01:01:11,030 --> 01:01:14,990 He has to live in a public way. He doesn't have a private identity. 564 01:01:14,990 --> 01:01:25,190 So for me, that really sums up what what for me is fascinating about the mediaeval period, which is that tension between familiarity and difference. 565 01:01:25,190 --> 01:01:30,470 Thank you, Matthew. Perhaps a more sort of focussed question for you, which is, again, 566 01:01:30,470 --> 01:01:35,810 I don't want to spoil the book knowledge because as I confessed to you earlier, I haven't quite finished it yet. 567 01:01:35,810 --> 01:01:43,820 So don't tell me the end. But there is this very strong story of of the two Jewish characters in it who 568 01:01:43,820 --> 01:01:48,560 connect us to the larger narrative of the expulsion of the Jews from England. 569 01:01:48,560 --> 01:01:57,710 And again, one of the the question is asked because you said in your book when you were just talking earlier that once you realised, 570 01:01:57,710 --> 01:02:05,740 if you like, that that was the date, then you had your date that you knew when you wanted to tell your story was just at that moment. 571 01:02:05,740 --> 01:02:12,950 Can I just say a little bit more about why? Why is that the moment to focus on you? 572 01:02:12,950 --> 01:02:22,220 I suppose it was. I was interested in this lost part of of the island's history, really. 573 01:02:22,220 --> 01:02:26,900 And also, I suppose I was aware I mean, my mum was Jewish. 574 01:02:26,900 --> 01:02:32,450 I didn't I never really feel very Jewish. But but she was she had her own history. 575 01:02:32,450 --> 01:02:42,350 And I I felt this is sort of rather depressing feeling around in these days, that things that we thought we'd got rid of or resuming and returning. 576 01:02:42,350 --> 01:02:45,190 And I suppose I was very aware of that. And. 577 01:02:45,190 --> 01:02:55,970 And this seemed sometimes I feel it's better to look at things in a slightly roundabout way rather than just sort of wave a flag. 578 01:02:55,970 --> 01:03:03,390 So. Or wave I did it. So I thought that that was that made me more interested in it all. 579 01:03:03,390 --> 01:03:11,870 Mm hmm. Thank you. And again, lost perhaps the last question is around the question of voice. 580 01:03:11,870 --> 01:03:19,400 And clearly, one of the things that that connects some of your different novels, 581 01:03:19,400 --> 01:03:23,780 Matthew, is the question of voice and the degree to which one might adopt a voice. 582 01:03:23,780 --> 01:03:32,090 Now, there aren't 20 of them in this novel, but there are still nonetheless some quite distinctive voices. 583 01:03:32,090 --> 01:03:38,030 And I said right at the beginning that this is something Geoff Chaucerian about that insofar as The Canterbury Tales, 584 01:03:38,030 --> 01:03:47,360 you know, tells stories from particular perspectives. Is that something that you consciously wanted to sort of make a connexion to Chaucer 585 01:03:47,360 --> 01:03:51,290 or is are springing you or as you and Marian decided to talk about these things, 586 01:03:51,290 --> 01:03:58,500 making things clearer to you than they were at the beginning? In other words, are you are you writing a version of The Canterbury Tales in some. 587 01:03:58,500 --> 01:04:04,790 No, no, no. I mean, I think it was because I've used the same approach in this other novel, English passengers. 588 01:04:04,790 --> 01:04:12,920 Yes. But I think I was very interested in what what was said in Marin's book. 589 01:04:12,920 --> 01:04:21,430 What Marianne said was really that the that Charles is interested in people giving giving the reader a choice, really. 590 01:04:21,430 --> 01:04:27,060 And she you contrasted that with with Dante and. 591 01:04:27,060 --> 01:04:35,830 And I felt that that was in English passages, I wanted to slightly offer readers a choice. 592 01:04:35,830 --> 01:04:45,520 I think if you if you let your readers and with a standpoint of viewpoint, then there's a danger that they'll just rebelle and get fed up with you. 593 01:04:45,520 --> 01:04:52,060 If you if you give readers a choice, then obviously you you're going to favour certain aspects of that choice. 594 01:04:52,060 --> 01:05:01,780 But nevertheless, people may feel more open to finding their way in this in what you're saying or what you're thinking about. 595 01:05:01,780 --> 01:05:05,110 And that was very much what I wanted to do with this book as well. 596 01:05:05,110 --> 01:05:10,910 And I was fascinated to feel to see that Marion felt that that was Johnson's approach as well. 597 01:05:10,910 --> 01:05:16,780 But I think it's a valid one because nobody likes being lectured. Yeah. 598 01:05:16,780 --> 01:05:22,120 Yeah, absolutely. And I think that you're one of the cornerstones of of choices approach is to try 599 01:05:22,120 --> 01:05:27,700 to get across the sense that what you see depends on why you are standing there. 600 01:05:27,700 --> 01:05:31,870 That every perspective is partial and relative. 601 01:05:31,870 --> 01:05:38,440 So that it's never enough just to have one perspective. And that's really the essence of the Canterbury Tales, 602 01:05:38,440 --> 01:05:43,480 is the sense that we need to see things from different points of view and then make our 603 01:05:43,480 --> 01:05:50,290 own decisions once we once we thought about it from more than one standing position. 604 01:05:50,290 --> 01:05:53,710 Thank you. That seems like a good question to a number or point to a number. 605 01:05:53,710 --> 01:06:03,790 I got one more for you. And that is that it's the difference, if you like, or the kind of voice or choice involved in writing fiction or non-fiction. 606 01:06:03,790 --> 01:06:10,420 Matthew, you've written both. And I have no idea whether you have a lot of novels in your head that you haven't. 607 01:06:10,420 --> 01:06:14,800 But I do know that you're interested in collaborating, for instance, with the theatre companies and so on. 608 01:06:14,800 --> 01:06:20,650 So, again, just to talk to and really as a way of sort of turning our conversation into into 609 01:06:20,650 --> 01:06:24,910 a broader question about to encourage you to reflect on the difference between 610 01:06:24,910 --> 01:06:29,440 fiction and non-fiction precisely in the way of enabling people to stand in the 611 01:06:29,440 --> 01:06:34,630 place of the other or to try to understand what it's like to be someone else, 612 01:06:34,630 --> 01:06:41,710 which is effectively what both of you were talking about at the end. Matthew, first. 613 01:06:41,710 --> 01:06:48,700 I think my main concern is to find an I an idea or a subject that seems worth writing about. 614 01:06:48,700 --> 01:06:58,110 That's always the major problem. And after that, then sometimes I've found myself wondering whether they should be fictional non-fiction. 615 01:06:58,110 --> 01:07:07,390 And in fact, the History of Rome book actually was initially briefly was tried to write it as a novel disastrously. 616 01:07:07,390 --> 01:07:12,010 So I think I think there is a it's yes. 617 01:07:12,010 --> 01:07:18,520 I think it's always easy to decide how to do these things, as one might think. 618 01:07:18,520 --> 01:07:26,790 Hmm. Yeah. Well, I suppose I mean, I always write non-fiction, but I'm always writing about fiction. 619 01:07:26,790 --> 01:07:31,120 And I don't think that I've been writing biography. So there's the first of my friend biography, 620 01:07:31,120 --> 01:07:38,290 and I found that a really fruitful form for for me because you are able to do lots of different things to 621 01:07:38,290 --> 01:07:46,600 think about your history and literary criticism and art history and lots of different kinds of approaches. 622 01:07:46,600 --> 01:07:50,980 And I think you have to you have to do a certain amount of imaginative work when you're 623 01:07:50,980 --> 01:07:57,940 trying to make those imaginative leaps into the past and into someone else's life. 624 01:07:57,940 --> 01:08:06,130 But for me, there were there were real limits on what I felt was appropriate for me to do as a as a biographer, you know, as a serious biographer. 625 01:08:06,130 --> 01:08:10,510 And so, you know, I was wrestling a lot with the issues of when do you say, well, 626 01:08:10,510 --> 01:08:16,690 well, this must have happened and you when you don't really have have evidence for it. 627 01:08:16,690 --> 01:08:23,500 And I think that you I decided really to think much more about Chaucer's imagination than about his emotional life. 628 01:08:23,500 --> 01:08:28,690 And, you know, there was a moment when I decided to put a footnote in the introduction where I just kind of said, 629 01:08:28,690 --> 01:08:34,810 I'm not going to write about his emotional life. You know, I don't think that when you're writing about a subject for whom you do not have 630 01:08:34,810 --> 01:08:38,490 private letters and private diaries and you can't interview their grandchildren, 631 01:08:38,490 --> 01:08:43,270 you when you're writing about someone from the 14th century, I just don't think I can get to the. 632 01:08:43,270 --> 01:08:47,680 What did he really think about his mother kind of aspect? Also put that footnote in. 633 01:08:47,680 --> 01:08:52,970 It was really liberating. I'm not doing that. And so. 634 01:08:52,970 --> 01:08:57,490 Well, I. And that I was able ready to think much more about his imagination. 635 01:08:57,490 --> 01:09:01,780 And so I suppose that that I think, you know, 636 01:09:01,780 --> 01:09:09,040 it was a there is a real boundary for me between what what's appropriate to do when I'm writing non-fiction. 637 01:09:09,040 --> 01:09:17,740 But, of course, as I say, the essence of my my interest is always in what it means for him to write fiction. 638 01:09:17,740 --> 01:09:23,200 Thank you both so much. I think it's time to. Draw things to a close. 639 01:09:23,200 --> 01:09:30,250 And I wanted, as I say, to to thank our two brilliant speakers, Matthew Neilan, Professor Marion Turner, 640 01:09:30,250 --> 01:09:38,320 for a wonderful and really thought provoking session on a whole range of different questions this evening. 641 01:09:38,320 --> 01:09:43,960 Thank you. Also to our viewers at home and listeners for watching for your comments, your questions. 642 01:09:43,960 --> 01:09:52,420 I'm sorry if I didn't get to them all. But thank you again for joining in this experiment in online community. 643 01:09:52,420 --> 01:10:01,510 I want to also stress that the big tent series would not be possible without the support, as it were, backstage of the amazing torch team. 644 01:10:01,510 --> 01:10:06,340 So thank you all and thank you specifically once again, Marian. 645 01:10:06,340 --> 01:10:10,570 And thank you, Matthew. 646 01:10:10,570 --> 01:10:19,150 Everyone else, although Marion Matthew, clearly also very welcome, please join us next week for Big Tent for next week's Big Tent Live event. 647 01:10:19,150 --> 01:10:24,970 Our theme next week is drama. And so on Thursday, the 30th of July, at the same time of five p.m., 648 01:10:24,970 --> 01:10:33,490 we're thrilled to be hosting an IM conversation with Professor Oliver Tamplin, emeritus professor of classics at Modelling College in Oxford. 649 01:10:33,490 --> 01:10:39,970 And Oliver will be joined by BAFTA award winning actor and director Fiona Shaw CBE and much 650 01:10:39,970 --> 01:10:46,810 else besides together and in the last of the current series of Big Tent online series before. 651 01:10:46,810 --> 01:10:54,540 In other words, we take a short break for the month of August. Oliver and Fiona, we'll be discussing tragedy and plague. 652 01:10:54,540 --> 01:11:00,820 But once again, thank you again to Matthew and Marion today. We hope you'll be able to all join us next week. 653 01:11:00,820 --> 01:11:40,094 Thank you again for watching everyone. And goodbye for now.