Alan Garner's family has been rooted in one particular place in East Cheshire, the village of Odali
Edge since the 16th century. To the north of the village is an enormous
hill made of red sandstone. Known as the edge, riddled with tunnels and mineshafts.
And it was on this hill that Khan played as a child and learnt its stories. He came to think of it as
a place of magic. Fergana, The Edge is always rooted in prehistory
and anchored here not only to a social background, but through a personal mythology. This
mythology is a recycling of energy through which the landscape of the edge and other places
in Britain are given. Life in garden is novel. Donna describes mythology
as a very condensed form of experience. It is very highly works material. He says
it has passed through unknown individuals consciences until it has become almost pure energy.
At the age of 11, he passed the entrance exam to Manchester Grammar School and later he won a place
at Morton College, Oxford, to study Classic, only to drop out after a year
and return to the edge with the ambition of becoming a writer. I became an
author. Through no burning ambition, he writes. But through a process of elimination
which lasted from the age of 16 to 21, rejecting everything until I had isolated
the only occupation to offer what seemed necessary.
Although Garner did not know any of them at the time, he is often grouped with the other post-war British children, fantasy
writers such as Susan Cooper, Penelope Lively and Diana when Jones,
all of whom attended Oxford in the 1950s and were participants in what is known as the second
golden age of children's literature. Beyond the Oxford connexion that work
in many ways follows J. Tolkien and C.S. Lewis in their use of mediaevalism and
myth. Although a more complex relationship with the contemporary world defines them
as a group of writers apart. Many have gone as nobles combined his own
deeply felt experience of a landscape rooted in childhood with an academic specialist
knowledge of the geology of Chechnya. His first book
to be published was The Way It's Done, A Single Man in 1960. And it is here that the legend
of Odali first makes its appearance in Ghana's work. It is a version of the sleeping
hero myth often connected to King Arthur and his knights, and Garner was first told it by
his grandfather. The legend has kind of first heard it begins with a farmer
from the village of Mobily riding across the edge to Mako's failed to sell his milk. White man.
He has stopped the thieves home by a man with long hair and beard who asked to buy them their.
The farmer refuses and on returning from Macclesfield, his horse unsold.
He comes across the man for a second time and follows him to a great rock embedded in the hillside.
The rock splits apart and they descend into the hail. So. Did he find
the sleeping king? And one hundred and forty nights in Silver Armour. And by the side of all but one,
I know quite that as a payment for the horse. The farmer takes what he can
off the old man's treasure. And this is gone as addition unwittingly removes the weird
stone from its resting place. The book then tells the story of
two children, Colin and Susan, who have been sent by their parents to stay on to the edge.
Once there, they meet the wizard Catelyn Sova Prowl, the old man of the original legend
and the dwarfs Fenno Dairy. And you're through with them. They must save the weight stones
from the forces of evil. Only then will the sleeping nights under the Hill be safe
for when Britain is in great peril. It is said that they will ride out of the edge and put the world to rights.
Ghana transforms the local legend into a fantasy narrative to express what he believed to be the power of
the edge. The names of the characters and places he uses names from Old Norse
mythology, the poor Singham, and if the title, for example, is the name for the necklace of
the goddess Freya, the little goblin creatures which the children encounter, other smart alpha.
And the conflict between good and evil is referred to as Ragnarok.
The sequel to the way its time was The Moon of Come Wrath, and for this, Ghana took inspiration
from Welsh and Gaelic mythology and folklore. The names at the layoffs, alpha,
the ounce of light all appear in the Welsh tale of colour. An old one, perhaps the earliest
known story of King Arthur. Ghana's third novel
is that both in the suburbs of Greater Manchester and the magical mediaeval world of little,
which for children find access to the demolition site. Well, Bougon
has always professed to dislike C.S. Lewis and his Narnia books, but they're poor quality
and repugnant moralising. There is a clear parallel between both fantasy worlds.
Ghana's Amazo is a dying wasteland. And it is up to the children to bring it back to life using
four enchanted objects. The story is partly a retelling of the English folk tale
of child Roland about a boy who must travel into elephant to rescue his sister.
It was with the publishing of his fourth novel, The Owl Service. When Ghana began to be recognised
as a writer of craft and it was the book which made his name amongst critics,
it tells the story of three teenagers who were forced together in a house in an isolated Welsh
valley. And after finding a set of old plates in the attic, begin to experience supernatural
occurrences. The pattern on the plates, which looks at first like abstract
floral design, is thought by the go Allison to look like elves.
They then read a tale of. The fourth in a series of old Welsh myths known as the Nap
Enochian, in which a women per day with is created out of flowers as a way.
But after having an affair with the Lord of Pentland and conspiring to kill her husband,
she is turned into an owl as punishment. The teenagers realise they are stuck in
an endless re-enactment of the myth, and it is uncertain whether Allison is made of flowers
or is actually an owl and must go hunting. The map and I'll be on is very
important material for Ghana, but the AL Service is the only one of his books to be sent in Wales.
He learnt Welsh in order not to use it. He said through the language, it is possible to read the mind
of a people and by learning the language. He writes, I hope to discover how a character would feel
and think and hence react. The health
service also represents the last but kind of right. It can easily be categorised as a children's
fantasy. His next novel was Redshift, a book of three layered narratives
revolving around the village of Moul cop in Cheshire Redshift deals with
the elasticity of time, a pervasive theme across Guyana's fiction and likely
the service. The echoes of emotion and action over different periods in a single place.
It's price Dow is far more stripped back than any have gone on straight fantasy, but there is still
debate as to whether it can be classified as a children's book.
The fantasy elements have gone is fiction after redshift food almost entirely away and the books
that follow First Pitch Strand Lopa and the third book in the Wasteland trilogy Townland
are far more realist in tone and subject and concern ancestry, violence, destiny
and, of course, the Chechnya landscape. The exception is the four books which make
up the Stone book quartette in which Garner attempts to create a mythology or rather,
to tell his own family history and mythic terms. His relationship
to his family is one of the great conflicts in his work, as he believes that his time at grammar school
and Oxford rendered him unable to communicate with them. And paradoxically,
it made him able to understand what it was he had loved. As he writes of his life
at Odali, in the best sense, as a family, we have always known our place. We
handle this is mine isn't stonecutters. We called it's timber for houses and few and
grow food on US soil. At a deeper level, we accepted that there was a hero king
asleep in the ground behind a rock named the Iron Gates. Our water supply derived
from the Holywell which granted wishes to tourists. At weekends, Ghana's
writings about the edge have been an attempt to amend this conflict and fantasy mythology.
And the tales told to him as a child have been his tombs.