1 00:00:00,100 --> 00:00:08,070 What would they say who do speaking on controlling the visual margins it gives to the periodicals and the public sculpture, 2 00:00:08,070 --> 00:00:18,630 so nobody of 20 minutes in all? But I will give you kind of a saying that up to 15 minutes and then you can then wind up by 28 28 minutes. 3 00:00:18,630 --> 00:00:22,320 So, no, please go ahead. Thank you. 4 00:00:22,320 --> 00:00:34,070 Thank you. What is it? I just said my green. 5 00:00:34,070 --> 00:00:39,170 Oh, thank you so much. And thank you, the Marriage Studies Committee, 6 00:00:39,170 --> 00:00:48,740 for having me as part of this family to be the title of my presentation countering the visual modern study of a periodical of. 7 00:00:48,740 --> 00:00:57,110 That is a proliferation of American culture since 1950s in Maharashtra and then since 1980s and 90s onwards across India. 8 00:00:57,110 --> 00:01:02,070 However, it has remained an underexplored subject within the bounds of the discipline of artistry. 9 00:01:02,070 --> 00:01:04,700 Barring a few exceptions in this presentation, 10 00:01:04,700 --> 00:01:09,980 I intend to focus on a particular moment in history at the intersection of two important modes of production and 11 00:01:09,980 --> 00:01:16,010 circulation of ideas around the identity formation and aesthetics that created a rupture in the budget model. 12 00:01:16,010 --> 00:01:23,300 That best advice for lead to the construction of a monumental public sculpture and development 13 00:01:23,300 --> 00:01:28,430 of visual iconography amid the formation of urban ascetic practises of the region. 14 00:01:28,430 --> 00:01:35,360 And secondly, the dissemination of the photographic image of the public culture and its formation 15 00:01:35,360 --> 00:01:40,220 through circulars and periodicals site for the construction of the regional model. 16 00:01:40,220 --> 00:01:44,330 The reading public of modern art was shaped by the circulation of printed materials. 17 00:01:44,330 --> 00:01:50,040 Mobile objects such as periodicals pamphlets was just got into in the category of ordinary public, 18 00:01:50,040 --> 00:01:57,290 a community of critically debating readers and writers of visual arts that evolved in the in the 20th century. 19 00:01:57,290 --> 00:01:59,450 Though an indefinite or definite audience. 20 00:01:59,450 --> 00:02:05,870 By definition, the 3D public of the visual modelling was formed with the circulation of printed images and texts, 21 00:02:05,870 --> 00:02:14,660 including surface breaks, cover images of illustrations, as well as exhibition reviews, travelogues, debates and personal accounts across also towns, 22 00:02:14,660 --> 00:02:18,530 as well as little pieces with libraries and other facilities. 23 00:02:18,530 --> 00:02:24,770 The emphasis on biographical descriptions in these writings, however, has contributed to the imaginary object model, 24 00:02:24,770 --> 00:02:33,890 not a dominant image of the romantic outside bohemian artist emerging from various interdisciplinary writings rendered in the national discourse. 25 00:02:33,890 --> 00:02:37,070 The figure of the modern artist of the 20th century, 26 00:02:37,070 --> 00:02:43,610 although connected with the international art brings primarily was represented as a homogenous universal activity. 27 00:02:43,610 --> 00:02:47,660 The world of specificities of caste plus gender or religion. 28 00:02:47,660 --> 00:02:53,510 The post-independence art critiques writing in English in the 1940s and 50s and Bobby played a crucial role in 29 00:02:53,510 --> 00:02:59,720 shaping the ideas of whether or not the artist embedded within the space of the postcolonial national context, 30 00:02:59,720 --> 00:03:07,490 where taking on the role of an interlocutor between the art work and the reading of the English public sphere on Artemis represented a fragmented 31 00:03:07,490 --> 00:03:15,920 picture of the arts being unable to engage with the multiple practises in the parallel world of art writing that existed across Maharashtra, 32 00:03:15,920 --> 00:03:18,470 too Marathi periodicals and other ratings. 33 00:03:18,470 --> 00:03:25,640 If we were to look back over a certain instance or publications in Marathi words written in 1966 Microbubbles, 34 00:03:25,640 --> 00:03:32,030 Bahujan Samaj Official Focus and Viewpoints reminiscences in the form of columns of Epitaph, 35 00:03:32,030 --> 00:03:38,270 which was published as autobiography or later on in the Seventies, deliberated upon the artist's location social, 36 00:03:38,270 --> 00:03:42,690 economic and cultural in order to position their practise in the contemporary art. 37 00:03:42,690 --> 00:03:47,090 But it was by these few exceptions our writings in Marathi public sphere. 38 00:03:47,090 --> 00:03:51,380 Even the polemical easiest tend to be addressing the urgency of the moment, 39 00:03:51,380 --> 00:03:56,060 such as the debates on a section of education, sedition and modern and so on. 40 00:03:56,060 --> 00:04:04,940 In this trajectory of biological search of a better candidate summoned by a well-known poet and writer is published in August 1960. 41 00:04:04,940 --> 00:04:12,270 Issue of Manoeuvre Magazine was able to produce a public imagination about the iconography of Dr. Ambedkar subject. 42 00:04:12,270 --> 00:04:18,480 Manilla was one of the three significant magazines published by the colossal press continues providing an industry accountable. 43 00:04:18,480 --> 00:04:25,770 So then the of us in the 1920s occupancies, we went over established with an intention of advocating modernisation and 44 00:04:25,770 --> 00:04:30,840 industrialisation in conjunction with social of even the artistic and literary magazine. 45 00:04:30,840 --> 00:04:34,110 It also carries the history of looks good, looks good and some good luck, 46 00:04:34,110 --> 00:04:40,290 good losers training in technical drawing activities of art before establishing the industrial site, 47 00:04:40,290 --> 00:04:45,360 as well as the artistic inclination to close relationship with massive opportunity. 48 00:04:45,360 --> 00:04:48,660 The then ruler of the state of Iceland, I should add, 49 00:04:48,660 --> 00:04:54,420 but I did well considering the periodical article as a site for dissemination and transmission of ideas. 50 00:04:54,420 --> 00:05:01,460 This paper to the formation and presentation of the imagery and community values that these works. 51 00:05:01,460 --> 00:05:05,460 All of these works and the ways in which their symbolism is strong. 52 00:05:05,460 --> 00:05:11,040 Fun, articulated and disseminated to visual as well as sexual formats. 53 00:05:11,040 --> 00:05:17,190 Following the popular mode of writing, the article in Manilla Travels to Canada sounds acceptance alphabetically, 54 00:05:17,190 --> 00:05:22,130 representing the identity of the artist to descriptions of his political affiliations. 55 00:05:22,130 --> 00:05:29,040 Your personal experiences as the artist, while capturing the medical students of his own identity through the making of the first ever food 56 00:05:29,040 --> 00:05:34,860 science budget of Dr. Levin said when installing Puni on your Sassoon Hospital on January 26, 57 00:05:34,860 --> 00:05:39,510 1960 with nine feet high, public social costume, bronze, 58 00:05:39,510 --> 00:05:47,730 canonical material signifier of longevity and the stylistic influence appropriation established the iconography details of America's robust, 59 00:05:47,730 --> 00:05:52,140 stocky and moving figure with emblematic features such as food, 60 00:05:52,140 --> 00:05:59,130 browser and shoes, as well as on this subject with a fountain pen and a copy of the Indian Constitution, 61 00:05:59,130 --> 00:06:03,930 symbolising education, struggle and emancipation in the Bible market. 62 00:06:03,930 --> 00:06:07,680 And the present supercut connotes the rootedness, 63 00:06:07,680 --> 00:06:11,940 as well as the author's background of the artist and his accomplishment as a sculptor 64 00:06:11,940 --> 00:06:17,280 to be able to establish himself within the art scene by setting up a studio in Satara, 65 00:06:17,280 --> 00:06:25,290 as well as by working on commissioned sculptures for the rest of his life by depicting his struggle to get to early education and fine arts education. 66 00:06:25,290 --> 00:06:29,640 The article refers to his material practise of clay modelling that the author is correct. 67 00:06:29,640 --> 00:06:33,480 God describes at length at the beginning of the emphasising the painstaking, 68 00:06:33,480 --> 00:06:39,390 laborious process of making the larger than life subject and that need to observe 69 00:06:39,390 --> 00:06:43,950 the great stimulus to populous states through Maharashtra and from Russia to all. 70 00:06:43,950 --> 00:06:53,580 India was not an acidic circumstance, but because of the discovery of the Providence Civic monumental imagery by the followers of Dr. Ambedkar. 71 00:06:53,580 --> 00:06:59,490 He was referring to the already existing figurative a central fact in India in public spaces. 72 00:06:59,490 --> 00:07:06,510 More importantly, the academic, realistic language employed since the colonial edict that emerged as a set standard bearer of the public 73 00:07:06,510 --> 00:07:11,520 sentiments to a joint public realm produced by the British administration and the Indian elites. 74 00:07:11,520 --> 00:07:15,390 By constructing public statues, public buildings and open spaces, 75 00:07:15,390 --> 00:07:23,490 dispersion of secular public landscape aside was an explosive signifier that the public realm was not merely function as a legitimate space. 76 00:07:23,490 --> 00:07:28,560 Rather a space for innovation. And so what is the idea of creating a new argument in public? 77 00:07:28,560 --> 00:07:37,020 The social consequences of the reading public consumed all sorts of textual and visual materials circles, circumscribing the normal sensibilities. 78 00:07:37,020 --> 00:07:45,210 However, the notion of the side was because we presented forms that provided social mobility and access in order to mobilise the US civic forms of 79 00:07:45,210 --> 00:07:55,230 producing accountable and because movement put forth a more expansive understanding of the public on the side of us in which we can refer to, 80 00:07:55,230 --> 00:07:57,720 which can also be referred to as counter public in this context. 81 00:07:57,720 --> 00:08:08,430 Moving beyond the narrowly defined public sphere produced as part of the nationalist struggle in the 1930s and 40s as early as the late early 1960s, 82 00:08:08,430 --> 00:08:16,350 Maduro bothered in his book Take 11 Photographs the importance of sculptures installing sandwich in public places, 83 00:08:16,350 --> 00:08:21,960 having different needs than those studio practise in a manner which would mean that it would be translated 84 00:08:21,960 --> 00:08:27,210 as public sculptures are not meant to capture and hold of what some sort of that physical appearance, 85 00:08:27,210 --> 00:08:31,680 but rather it intends to capture meekness of distinctive characteristic. 86 00:08:31,680 --> 00:08:38,130 Art historian Douglas Avant argues that it is through these channels that quite often the art isn't working class, 87 00:08:38,130 --> 00:08:42,150 and rural agrarian communities began to seek new avenues for self advancement. 88 00:08:42,150 --> 00:08:47,490 Economic and social was apparently supported by an emerging circuit of authority, 89 00:08:47,490 --> 00:08:56,250 while referring to writers such as My Doodlebug, a prolific writer, trade unionist and ardent supporter of Anti-busing Barber, 90 00:08:56,250 --> 00:09:05,220 published in 1963, a book I published in 1966 both intended to circumvent the customary control 91 00:09:05,220 --> 00:09:12,350 of the elites when situating the practise of two specific cultural location. 92 00:09:12,350 --> 00:09:16,560 This writing clearly resonated with the social and economic shifts in the region, 93 00:09:16,560 --> 00:09:22,470 with the takers and initiatives of home origin officials to these series and other writings. 94 00:09:22,470 --> 00:09:27,840 Basil, being a believer in socialist realism and a severe critique of modern art, firmly argued feudal, 95 00:09:27,840 --> 00:09:34,930 socially relevant factors which led him to challenge his contemporaries and the non radical positions as artists. 96 00:09:34,930 --> 00:09:40,500 Tellingly, Bumble was one of the first people who took the initiative in commissioning the first ever bust of midfoot, 97 00:09:40,500 --> 00:09:47,010 which was made by Sculptor Bodyslam, the first ever formally Prince Typekit from the century. 98 00:09:47,010 --> 00:09:55,230 Situated in a global and blue silk but is a well-known place for gatherings and public political meetings, 99 00:09:55,230 --> 00:10:06,570 if one were to trace the formation of the iconic centre of the other only reference of the stature when we founded in 1949 50, 100 00:10:06,570 --> 00:10:10,820 both countries in the form of a bust were made during Dr Ambedkar. 101 00:10:10,820 --> 00:10:14,000 And by Natalie Typekit in the 1950s, 102 00:10:14,000 --> 00:10:21,680 the idea of a public space gets more complex with the emergence what the article refers to as the prototype presenting the new 103 00:10:21,680 --> 00:10:29,780 found symbol that portrayed the public image of Dr. Ambedkar opposing the underlying assumptions of side was in conclusion, 104 00:10:29,780 --> 00:10:36,530 if one were to break the visual idiom of the sculpture in the pageantry of monumental public centres in India, 105 00:10:36,530 --> 00:10:42,240 controlled by one it from the romantic realism of the person that I totally a practise. 106 00:10:42,240 --> 00:10:50,780 Zakaria's monumental sculptures of the working class as a US in this category, with an emphasis on the central and emotional elements, 107 00:10:50,780 --> 00:10:55,980 a candidate also employs the monumentality of the sculpture, giving it a larger than life presence. 108 00:10:55,980 --> 00:11:02,990 How We Look composes the sculpture with the constraint and minimal symbolism to the solid ness of the statue. 109 00:11:02,990 --> 00:11:09,830 Believe the symbolic presence of the Constitution, but the construction of the idea of the nation as a largely Hindu entity that allowed 110 00:11:09,830 --> 00:11:15,800 the maintenance of such up way without the corrective measures towards social justice. 111 00:11:15,800 --> 00:11:21,590 The sculpture, as a representative of this contestation against romantic ideals of the nation building spirit, 112 00:11:21,590 --> 00:11:29,690 portrays the act of sculpture, making Dr. Ambedkar organically referred to as somewhat of a miracle. 113 00:11:29,690 --> 00:11:34,370 At the Leonardo is making a sculpture of the leader could be installed in a public space. 114 00:11:34,370 --> 00:11:38,090 I would contend that there are silent. Oh, 115 00:11:38,090 --> 00:11:43,250 so I would contend that the iPhone model put forth by candidates that one was an 116 00:11:43,250 --> 00:11:47,120 aesthetic clean as it formulated the iconography of the image with the introduction 117 00:11:47,120 --> 00:11:52,700 of the Constitution and implemented element of the presentation of the work that 118 00:11:52,700 --> 00:11:59,150 refers to a consistent symbolism that rendered a more inclusive side within a space. 119 00:11:59,150 --> 00:12:06,080 This cultural site situated within the colonial administrative block of the city, as well as the of the dividing line of the city, 120 00:12:06,080 --> 00:12:12,710 is a predominantly Belgian and possibly the mobilises the community every year, embodying the configuration. 121 00:12:12,710 --> 00:12:20,390 But it's not always an equal public space to act of occupying the space, as well as installation and celebration of an iconic figure. 122 00:12:20,390 --> 00:12:24,440 It is now developed into a hemispherical or sculptural complex, 123 00:12:24,440 --> 00:12:30,110 with depiction of various events from DR Umbilicus tonight in Bas relief sculptures 124 00:12:30,110 --> 00:12:35,270 following the Buddhist narrative style of gothic stories surrounding the mid-century. 125 00:12:35,270 --> 00:12:39,560 When the thugs are occupying a site within the central location of the city, 126 00:12:39,560 --> 00:12:47,840 being promoted to be one of the writers of the cultural experience by inviting publics from the community, 127 00:12:47,840 --> 00:12:52,160 the site was banned from mentioning the builders of this monument as such, 128 00:12:52,160 --> 00:12:58,610 as well as the little additions of the ladies circumscribing within the anecdotal mode of writing. 129 00:12:58,610 --> 00:13:05,120 The article in the would reduce the areas, which is the site of the public's guide to the things to conceal by erasing details about 130 00:13:05,120 --> 00:13:12,920 the letters of the name of the artist whose title was not created during his lifetime. 131 00:13:12,920 --> 00:13:14,960 Boards of busts. 132 00:13:14,960 --> 00:13:24,530 The article Immunoblot frequently mentions that also close connexion with nothing on the basic mention of the accidental meeting of the author, 133 00:13:24,530 --> 00:13:33,080 with the artist leading him to the artist then ongoing consultative project at 7-Zip when the society captures the nuances of silence dispositions, 134 00:13:33,080 --> 00:13:37,670 whether it's the president or sooner or later. 135 00:13:37,670 --> 00:13:42,680 So when one will meet with the agriculture team who would work on the, 136 00:13:42,680 --> 00:13:48,170 we're taking the reader back and forth in time with the details of characteristic silence housed in a small 137 00:13:48,170 --> 00:13:54,830 village in Sakurada silence mining observations of America during their frequent meetings in the formative years, 138 00:13:54,830 --> 00:14:02,720 and just with a monsoon that reports the company and its representation of the Legislative Council in Bombay in 1946, 139 00:14:02,720 --> 00:14:09,860 as a member of the independent Liberal Party implies Gandhian terminology such as Horizon A more suitable for the magazine, 140 00:14:09,860 --> 00:14:16,220 like with a benign and obscurantism alluding to the adherence to philosophies hierarchy which was 141 00:14:16,220 --> 00:14:21,230 particularly rejected by DR on Bitcoin and many others for its political religious underpinnings. 142 00:14:21,230 --> 00:14:25,100 When the use of term horizon identifies the artist as part of the Hindu fold, 143 00:14:25,100 --> 00:14:33,750 irrespective of the fact that the usage of the term that it already exists in the digital system is more. 144 00:14:33,750 --> 00:14:42,160 Oh, the detailed descriptions of his travels, his social location and the author's memories of visits to Myanmar, 145 00:14:42,160 --> 00:14:48,720 not the letter exchange between the artist and the substantiating his close connexion with Picasso's looming lives, 146 00:14:48,720 --> 00:14:55,590 this particular piece in the larger public, the odd viewing, reading public support, I think periodically the demise of the magazine. 147 00:14:55,590 --> 00:15:01,800 It is not to produce alternative source. The circulation of the newly formed imagery of the needed, 148 00:15:01,800 --> 00:15:08,010 along with textual disruptions in this article tends to produce a counterpart with its affect 149 00:15:08,010 --> 00:15:13,590 and expression would be with Warner referred to as fiction of the dominant public forces. 150 00:15:13,590 --> 00:15:18,660 The forces, the public expressive character of control public disposed to become salient of 151 00:15:18,660 --> 00:15:23,310 the consciousness depicting the life experiences produced to the social category, 152 00:15:23,310 --> 00:15:30,390 of course, from the perspective of non-violence. But if it provides a political ground as means to understand the visual representations 153 00:15:30,390 --> 00:15:35,550 with the descriptions of Mod. would the despicable living conditions outside the village? 154 00:15:35,550 --> 00:15:40,560 Character provides a perceptive reading of the exploitative nature of the social relations that Kundera 155 00:15:40,560 --> 00:15:47,280 saw with experience in making the ground realities of concentration visible to his first-person account. 156 00:15:47,280 --> 00:15:54,460 Connected almost to the ill is celebrating by rendering that of culture making and for romantic masochism. 157 00:15:54,460 --> 00:16:00,180 We also learnt of the lesson is also remarkable leadership. 158 00:16:00,180 --> 00:16:04,560 The other is not the best way to a good. 159 00:16:04,560 --> 00:16:12,060 As well as the success of the horizon, so it a collective mobilisation of Mahatma Gandhi and Mahatma Gandhi, turn it off, as I mentioned. 160 00:16:12,060 --> 00:16:17,040 So it's a fusion of this nomenclature for the complex history of anti gospel movement. 161 00:16:17,040 --> 00:16:25,080 Today, in the accepted linguistic idiom amongst the cultural elite article how we would impose a critical eye towards the final production. 162 00:16:25,080 --> 00:16:30,420 Remarkably candid good emphasises the fact that the subject was initiated by the light coming 163 00:16:30,420 --> 00:16:36,390 from the region to honouring memorialised contributions in the form of a love extension. 164 00:16:36,390 --> 00:16:40,120 The idea was actualised by the committee led by America, 165 00:16:40,120 --> 00:16:47,070 by means of raising twenty thousand rupees for collection drives across the region, primarily funded by the legitimate. 166 00:16:47,070 --> 00:16:52,410 There is a platform at the site consisting by the corporation. 167 00:16:52,410 --> 00:17:01,550 Apart from organising the citizen. Up today, the sculpture stands on a huge flint with a black setting, 168 00:17:01,550 --> 00:17:08,690 the node the site was donated by the Private Sector Committee to put him in simple competition without providing 169 00:17:08,690 --> 00:17:14,640 information on the artistic and give members of the community who initiative that exaggerated the project. 170 00:17:14,640 --> 00:17:23,530 Connecticut also deliberates on candidates to work on the recommendations of the statutes that this commission 171 00:17:23,530 --> 00:17:30,570 sculptors made in 1935 but apparently taken away by some businessmen from the way of the Hudson Valley, 172 00:17:30,570 --> 00:17:38,760 had been reluctant about engaging with the idea of odd. Hollywood had long correspondence with an art teacher and artist from Chattanooga, Tenn., 173 00:17:38,760 --> 00:17:45,210 who designed the prevalence of Hollywood are looking to invest with confidence fungus meetings in 1940s. 174 00:17:45,210 --> 00:17:53,550 The earlier position of Gandhi coming from lack of interest and significance of visual arts in the political struggle shifted in the mid 1930s, 175 00:17:53,550 --> 00:18:01,590 with the sight of the annual National Congress exhibitions of religious industries and begin blowing through the creative 176 00:18:01,590 --> 00:18:08,890 process to the extent of the arts and crafts person going to finding them within the revivalist nationalist discourse. 177 00:18:08,890 --> 00:18:15,190 Had it been available for us today, the bandits would have made an interesting reading in the context of this paper, 178 00:18:15,190 --> 00:18:21,950 as the article also reprinted Gandhi's letter of recommendation, which states exports alone can judge his art. 179 00:18:21,950 --> 00:18:28,930 Could it also incite what I could see that she saw when we found him to be thoroughly sociable and become one of us? 180 00:18:28,930 --> 00:18:33,940 The moment again, he deserves encouragement from lovers of art and moneyed men, 181 00:18:33,940 --> 00:18:39,190 indicating the reception of the artist and his practise into Gandhi's larger debateable nationalism. 182 00:18:39,190 --> 00:18:47,440 Interestingly, scholar and activist Bill O'Reilly had bonded briefly on the spectral imagery of the stranded foot as that of Gandhi was to observe. 183 00:18:47,440 --> 00:18:53,140 America's Western image symbolises a claim by Dalits, but the heritage of the ages, 184 00:18:53,140 --> 00:19:01,210 a rejection of family and other forms of medical nationalism and modernism that even today represents the height of India's Enlightenment condition. 185 00:19:01,210 --> 00:19:07,030 If Gandhi was the father of a society in which he tried to ensure equality by maintaining the Hindu free, 186 00:19:07,030 --> 00:19:13,000 what America was about these people and the village liberated from that of would? 187 00:19:13,000 --> 00:19:17,260 The intention of this paper is not to present a comparative analysis of these commitments, 188 00:19:17,260 --> 00:19:20,530 but either to complicate the history of formation of the public universities 189 00:19:20,530 --> 00:19:25,360 and the imaginary sense that the public's going to produce markedly different, 190 00:19:25,360 --> 00:19:28,630 which does envision a radical way of claiming the public space, 191 00:19:28,630 --> 00:19:36,250 whereas the textual material navigates through the gospel spiritual mood of those just in the human race. 192 00:19:36,250 --> 00:19:40,810 I just think two minutes and I don't know how to handle this. 193 00:19:40,810 --> 00:19:50,100 You will think so. You will have a new permanent discussion on your paper. Little to do this, OK? 194 00:19:50,100 --> 00:19:58,420 Yes. Yes. But we have eight minute discussion shots. 195 00:19:58,420 --> 00:20:02,850 So the public sector produce produces markedly different visual representation, 196 00:20:02,850 --> 00:20:08,040 a radical way of claiming the public space, whereas the fiction material never gets to the box Hindu spiritual, 197 00:20:08,040 --> 00:20:14,820 moral referencing the cast at this complex intersection of visual imagery and visual representation in textual format 198 00:20:14,820 --> 00:20:21,450 challenge the homogenised understanding of artistic practise in the 1960s while maintaining the intellectual dominance. 199 00:20:21,450 --> 00:20:23,580 Moving away from the image centric analysis, 200 00:20:23,580 --> 00:20:32,290 the ideas to Waterloo then analyse the facts in order to understand the circulation and dissemination of the image, as well as the best. 201 00:20:32,290 --> 00:20:35,920 And how the public must have experienced the formation of the public sector, 202 00:20:35,920 --> 00:20:41,260 as well as the ideological underpinnings that decides we ought to deal with things about 203 00:20:41,260 --> 00:20:45,160 the periodical instead of the photograph of photographic technique of architecture, 204 00:20:45,160 --> 00:20:53,110 a sense of stealing neighbourhoods or capturing the artist standing next to a sculpture led the readers to an expansive field of modern practise 205 00:20:53,110 --> 00:21:00,700 that produced a founder viewing of images and the then existing illustration indicators of a break within the mainstream public sphere. 206 00:21:00,700 --> 00:21:05,710 Well, rendering the social location of the art is visible in the development of the visual model. 207 00:21:05,710 --> 00:21:09,880 Moving beyond the universal casting director of the artist, however, 208 00:21:09,880 --> 00:21:16,090 the question remains about whose claims over public space are allowed to continue and well-recognized 209 00:21:16,090 --> 00:21:22,330 as part of the normative structures of image making and who gets to produce a discourse around it. 210 00:21:22,330 --> 00:21:24,288 I think I'd stop here.